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Performer: Ain Anger

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ViennaLohengrin

Wagner: Lohengrin
Valery Gergiev; Andreas Homoki; Vienna State Opera; Wolfgang Gussmann; Piotr Beczała; Linda Watson

MadridDie Walküre

Die Walküre
Wagner: Die Walküre
Pablo Heras-Casado; Robert Carsen; Teatro Real; Patrick Kinmonth; Stuart Skelton; Christopher Ventris

ViennaDie Walküre

Wagner: Die Walküre
Ádám Fischer; Sven-Eric Bechtolf; Vienna State Opera; Rolf Glittenberg; Marianne Glittenberg; Andreas Schager; Ain Anger

MunichHaydn & Adler

Haydn, Adler
Munich Philharmonic Orchestra; Omer Meir Wellber; Hila Baggio; Sarah-Jane Brandon; Katija Dragojevic; Martin Mitterrutzner

RomeVerdi: Requiem

Verdi: Messa da Requiem
Orchestra dell'Accademia Nazionale di Santa Cecilia; Eleonora Buratto; Ekaterina Semenchuk; René Barbera; Ain Anger
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Götterdämmerung: a truly fabulous end to the EIF Ring

Sir Andrew Davis and the RSNO © Ryan Buchanan
The EIF’s cycle comes to a fabulous end with RSNO and Andrew Davis leading a luxury cast, Christine Goerke’s emotionally powerful Brünnhilde a highlight. 
****1
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From Pärnu with Love: Tchaikovsky 2 fizzes under Paavo Järvi

Ain Anger and the Estonian Festival Orchestra © Taavi Kull
A terrific climax to the 2019 Pärnu Music Festival, with outstanding performances from Ain Anger and the Estonian Festival Orchestra.
*****
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Don Giovanni according to Ivo van Hove: a puritan despite himself?

Don Giovanni at Palais Garnier © Charles Duprat / Opéra national de Paris
Don Giovanni returns to the Palais Garnier. The production by Ivo van Hove lacks energy but is wonderfully served by a cast of great young talents.
***11
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Skelton and Anger set the scene for a superb Walküre

Stuart Skelton (Siegmund) © ROH | Bill Cooper
We start with a triumphant Royal Opera debut from Stuart Skelton, we close with Nina Stemme at her finest; a thrilling orchestral performance links the two. A memorable Walküre.
*****
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Tristan und Isolde: a fabulous musical night for Perth

Stuart Skelton © Guðmundur Ingólfsson
Wagner is a rare bird in Perth; the second *Tristan und Isolde* in 12 years worth the wait, no less for being a concert performance, and for bringing Skelton's masterful interpretation to an Australian audience
****1
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