Performer: Andrew Stenson

The Mostly Mozart Festival ended its season with an all-Mozart program centered on the Requiem. Paired with that was a piano concerto with Stephen Hough and the rarely-heard Meistermusik.

Synergies between singers compensated for accurate but unexciting orchestral playing.

Foroni's forgotten gem, Margherita makes a welcome return at Wexford Festival Opera. A superlative cast, a charming production and glorious music make this a must-see event in this year's festival.

Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte. 

It is the fusion of textures and styles coming from the pit that gives Bel Canto a memorable musical profile.