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Performer: Anna Caterina Antonacci

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French flair: Pure joy from Enrique Mazzola and the LPO

Enrique Mazzola © Eric Garault
Each of the works are particularly radiant in themselves, but made even more so as they were presented here.
****1
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On the female condition: two 20th-century operas in Turin

Anna Caterina Antonacci (Susanna) and Bruno Danjoux (Servant) © Rammella & Giannese/Piva | Teatro Regio Torino
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
****1
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A landmark Gloriana at the Teatro Real

Anna Caterina Antonacci (Elizabeth) and Leigh Melrose (Cecil) © Javier del Real | Teatro Real
Ivor Bolton and David McVicar have teamed up to create an unapologetically Brittenian Gloriana, with Anna Caterina Antonacci at the top of a great cast
*****
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Intensity-laden La voix-Cav diptych in Bologna

Anna Caterina Antonacci (Elle) © Rosso Casaluci
One wonders why Emma Dante's concept, which explores the plight of women crushed by romantic catastrophes, is not done more often.
*****
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Antonacci triumphs in La Voix humaine

Anna Caterina Antonacci (Elle) © Cory Weaver | San Francisco Opera
Antonacci's voice shines even in the art songs that pad out the evening, but it's Poulenc's one-act opera that gives San Francisco Opera Lab's current offering dramatic weight (and makes it worth seeing).
****1
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