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Performer: Anna Goryachova

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ViennaEugen OneginNew production

Tchaikovsky: Eugene Onegin
Tomáš Hanus; Dmitri Tcherniakov; Vienna State Opera; Maria Danilova; Gleb Filshtinsky; Andrè Schuen

GenevaLa clemenza di Tito

Grand Théâtre Genève
Mozart: La clemenza di Tito
Maxim Emelyanychev; Milo Rau; Grand Théâtre de Genève; Anton Lukas; Ottavia Castellotti; Marie Lys; Serena Farnocchia

ValenciaLa Cenerentola (Cinderella)

Rossini: La Cenerentola (Cinderella)
Maurizio Benini; Laurent Pelly; Palau de Les Arts Reina Sofia; Chantal Thomas; Jean-Jacques Delmotte; Anna Goryachova; René Barbera
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RomeIl viaggio a Reims

Rossini: Il viaggio a Reims
Stefano Montanari; Damiano Michieletto; Teatro dell'Opera di Roma; Paolo Fantin; Carla Teti; Mariangela Sicilia; Anna Goryachova
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Norma in Zurich: superb vocalists trapped in a minimalist staging

Maria Agresta (Norma) © Toni Suter | T&T Fotografie

A production which has Robert Wilson's signature all over it, but feels like a wagon in front of the horse.

***11
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Champagne without the fizz: Tcherniakov's Betrothal in a Monastery

Lauri Vasar, Goran Jurić, Violeta Urmana, Aida Garifullina (Luisa) und Bogdan Volkov © Ruth and Martin Walz
The Russian director's role play production of Prokofiev's comedy falls flat at the Staatsoper.
***11
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A tale of many Tchaikovskys: The Queen of Spades at ROH

Vladimir Stoyanov (Yeletsky / Tchaikovsky) © ROH | Catherine Ashmore
Herheim places the composer at the centre of his opera in a staging that's clever and erudite but somewhat cold; musical performances are mixed.
***11
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Sensuality and solidarity in Zurich's new Così

Andrei Bondarenko (Guglielmo), Ruzan Mantashyan (Fiordiligi) and Francesco Guglielmino (“Sempronio”) © Monika Rittershaus
If ever a new production of a Mozart opera had a riveting backstory, this one is it. 
*****
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Kosky's Carmen fails to light fires

Jacquelyn Stucker (Frasquita), Anna Goryachova (Carmen) and Aigul Akhmetshina (Mercédès) © ROH | Bill Cooper
Interesting ideas and a brilliant orchestral performance aren't enough to overcome a visually dull staging, predictable choreography and a lack of chemistry between the protagonists.
**111
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Grace and delirium: Michieletto's Viaggio lands in Rome

© Clärchen & Matthias Baus | Dutch National Opera (2015)
Lord Sidney's contemplation of the insanity of the world seems to be the impetus for this delirious production. So endless is its stream of gags that to attend this show is to be left feeling exhausted.
****1
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