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Performer: Anna Maria Chiuri

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TokyoGiuseppe Verdi: Don Carlo

Giuseppe Verdi: Don Carlo
Verdi: Don Carlo(s)
Paolo Carignani; Marco Arturo Marelli; New National Theatre; Dagmar Niefind-Marelli; Michele Pertusi; Luciano Ganci
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TurinLa donna serpente

Casella: La donna serpente
Gianandrea Noseda; Arturo Cirillo; Teatro Regio di Torino; Dario Gessati; Gianluca Falaschi; Erika Grimaldi; Francesca Sassu

PiacenzaLa Gioconda

Ponchielli: La Gioconda
Daniele Callegari; Federico Bertolani; Fondazione Teatri di Piacenza; Andrea Belli; Valeria Donata Bettella; Saioa Hernández; Francesco Meli

ModenaIl trittico

Puccini
Julian Reynolds; Cristina Pezzoli; Teatro comunale di Modena; Alberto Mastromarino; Amarilli Nizza; Rubens Pelizzari
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In Turin's Trovatore, the women carry the day

Anna Maria Chiuri (Azucena) © Edoardo Piva | Teatro Regio Torino
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
***11
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On the rocks: An ice-cold Salome in Salzburg

Asmik Grigorian (Salome) © Ruth Walz
An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera. 
****1
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La Gioconda in Modena

Saioa Hernández (La Gioconda) and Anna Maria Chiuri (Laura) © Rolando Paolo Guerzoni
Every time Ponchielli’s La Gioconda is staged its popular fortune is renewed, but the diffidence of the musicography also remains unchanged.
***11
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Teatro Regio's new diptych: Goyescas and Suor Angelica

An intriguing combination which mixes up together the exuberant sensuality of Granados’ one-act-opera, the gloomy shades and the melancholy liturgy of Suor Angelica.
***11
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Falstaff revêt son plus beau plumage à l’Opéra de Monte-Carlo

Nicola Alaimo (Falstaff) © Alain Hanel
À l'Opéra de Monte-Carlo, Falstaff rencontre un grand succès dans la mise en scène fantasque de Jean-Louis Grinda. Nicola Alaimo propose une admirable incarnation du rôle-titre.
****1
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Entre Turin et Memphis, une Aïda loin d’être poussiéreuse !

Pour l’ouverture de la saison du Teatro Regio de Turin portait à l’affiche le très célèbre Aïda de Giuseppe Verdi. Le montage du chef-d’œuvre amenait une collaboration inédite avec le Museo Egizio de la ville, considéré comme l’une des collections archéologiques égyptiennes les plus riches du monde après le Musée du Caire.
*****
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