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Performer: Anna Stéphany

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ZürichHänsel und Gretel

Hänsel und Gretel
Humperdinck: Hänsel und Gretel
Paul Daniel; Robert Carsen; Zurich Opera; Michael Richter; Gideon Davey; Deniz Uzun

LondonHalf Six Fix: Beethoven's Choral Symphony

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
London Symphony Orchestra; Simon Halsey; Iwona Sobotka; Anna Stéphany; Robert Murray; Florian Boesch

LondonBeethoven's Choral Symphony

Berg, Beethoven
London Symphony Orchestra; Simon Halsey; Iwona Sobotka; Anna Stéphany; Robert Murray; Florian Boesch

HamburgLondon Symphony Orchestra and Sir Simon Rattle

© Maxim Schulz
Berg, Beethoven
London Symphony Orchestra; Sir Simon Rattle; London Symphony Chorus; Marlis Petersen; Anna Stéphany; Robert Murray

Baden-BadenSir Simon Rattle II - Beethoven: Symphonie Nr. 9

Berg, Beethoven
London Symphony Orchestra; Sir Simon Rattle; Iwona Sobotka; Anna Stéphany; Robert Murray; Florian Boesch
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Hansel and Gretel reloaded in Zurich

Marina Prudenskaya (Witch) © T+T/Tanja Dorendorf
Engelbert Humperdinck’s Hänsel und Gretel has appeal for all ages, but Robert Carsen’s production is a different take on the beloved fairy tale.
***11
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Prom 48: Rattle and the LSO play Ravel

Magdalena Kožená in L'Enfant et les sortilèges © BBC | Chris Christodoulou
Neither Simon Rattle nor Magdalena Kožena could resist a tendency to add sentiment.
***11
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Poise and transparency from Elder and the Hallé

Sir Mark Elder © Russell Hart
It was only in the final moments of The Firebird that the orchestra let themselves go, following a series of sensitive and transparent performances.
****1
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Carry on Cleo: Joélle Harvey triumphs at Glyndebourne

Sarah Connolly (Giulio Cesare) and Joélle Harvey (Cleopatra) © Bill Cooper
Interviewed at the time of this production's first outing, McVicar declared that “Entertainment is not a dirty word”. His Giulio Cesare remains a hugely entertaining opera production.
****1
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Minimalistic new production of Idomeneo in Zurich

Joseph Kaiser (Idomeneo) and Anna Stéphany (Idamante) © Monika Rittershaus
In Jetske Mijnssen’s new production of Idomeneo, all order of human entanglements, sorrows and pain run rampant.
***11
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