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Performer: Anne-Carolyn Bird

Latest reviewsSee more...

Operatic righteous anger or self-indulgence?

A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.
**111
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Profiling Goya at Spoleto Festival USA

In Michael Nyman's Facing Goya, the artist's head ends up in the worst possible hands.
**111
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The Met in HD, L'Elisir d'Amore, 2012

Read our review of Bartlett Sher's production of Rossini's L'Elisir d'Amore in its 2012 broadcast from the Met Opera in New York.