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Performer: Anne Sofie von Otter

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BerlinIch wollt', ich wär' ein Huhn! - Ein Berlin-AbendNeue Produktion

Ich wollt', ich wär' ein Huhn! - Ein Berlin-Abend
Weill, Dessau, Kreuder, Mackeben
Komische Oper Berlin; Barrie Kosky; Maximilian Hagemeyer; Anne Sofie von Otter

AmsterdamAnne Sofie von Otter sings Saariaho

© Ewa-Marie Rundqvist
Saariaho: La Passion de Simone, oratorio
Christian Karlsen; Anne Sofie von Otter; Nederlands Kamerkoor; New European Ensemble

HelsinkiAutumn Sonata

Fagerlund: Autumn Sonata
Kurt Kopecky; Stéphane Braunschweig; Finnish National Opera; Thibault Vancraenenbroeck; Anne Sofie von Otter; Ingela Brimberg

HamburgLulu

Berg: Lulu
Kent Nagano; Christoph Marthaler; Hamburg State Opera; Anna Viebrock; Barbara Hannigan; Jochen Schmeckenbecher

BrusselsPikovaya DamaNew production

Tchaikovsky: The Queen of Spades (Pique Dame)
Nathalie Stutzmann; David Marton; De Munt | La Monnaie; Christian Friedländer; Pola Kardum; Dmitry Golovnin; Anna Nechaeva
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Au fait with Orphée: Salzburg celebrates Offenbach's bicentenary

Martin Winkler (Jupiter) and Kathryn Lewek (Eurydice) © Salzburg Festival | Monika Rittershaus
The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.
*****
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Anne Sofie von Otter dominates the scene in Stockholm's Carmélites

Anne Sofie von Otter (Madame de Croissy) © Micke Sandström | Kungliga Operan

The Royal Swedish Opera revives Garpe’s production of Poulenc’s Dialogues des Carmélites with a committed cast.

***11
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Bernstein's Candide semi-staged by the LSO

Sir Thomas Allen with the Inquisition © Mark Allan
Jane Archibald gave possibly the most dazzling account of Cunegonde's music that I’ve heard. 
***11
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Voltaire à la Kosky: a magical Candide at Komische Oper

Allan Clayton (Candide) © Monika Rittershaus
Serious farce, warm-hearted sarcasm, operatic Broadway: Barrie Kosky and Komische Oper turn Bernstein's problem child into a show that thrills from start to finish.
*****
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Adès brings The Exterminating Angel to opera

Sophie Bevan, Ed Lyon © ROH | Clive Barda
Luis Buñuel's derision at the sense of entitlement of over-privileged, self-righteous prigs shines through a high quality operatic adaptation.
****1
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