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Performer: Aušrinė Stundytė

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MunichLearNew production

Lear
Reimann: Lear
Jukka-Pekka Saraste; Christoph Marthaler; Bavarian State Opera; Anna Viebrock; Dorothee Curio; Christian Gerhaher; Angela Denoke

ViennaElektra

Wiener Staatsoper GmbH
Strauss R.: Elektra
Franz Welser-Möst; Harry Kupfer; Vienna State Opera; Hans Schavernoch; Reinhard Heinrich; Aušrinė Stundytė; Michaela Schuster

SalzburgElektraNew production

Strauss R.: Elektra
Franz Welser-Möst; Krzysztof Warlikowski; Małgorzata Szczęśniak; Aušrinė Stundytė; Tanja Ariane Baumgartner

ParisOrchestre de Paris plays Glagolitic Mass

Mozart, Pärt, Janáček
Orchestre de Paris; Karina Canellakis; Chœur de l'Orchestre de Paris; Aušrinė Stundytė; Jennifer Johnston; Stefan Vinke
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Oscar Wilde takes centre stage in Staatsoper's Salome

Aušrinė Stundytė (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.
***11
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Das Wunder der Heliane makes long-awaited US debut

Aušrinė Stundytė (Heliane) © Stephanie Berger
Although Bard's production is only intermittently successful, the chance to hear this Korngold rarity live should be savored.
***11
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An emotional new Tosca from Christof Loy in Helsinki

Tuomas Pursio (Scarpia) and Aušrinė Stundytė (Tosca) © Heikki Tuuli
Carè, Stundytė and Pursio all shine as singers and actors in an intense, exciting production at the Finnish National Opera.
****1
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Penetrating Schreker’s kaleidoscopic score

Die Gezeichneten © Iko Freese | drama-berlin.de
Franz Schreker’s Die Gezeichneten (The Branded One) is an unsettling work given the storyline’s background of abduction and clandestine sexual abuse. Calixto Bieito, as expected, eschews ambiguity regarding what goes on behind the scenes, and casts even the titular cripple Alviano Salvago in a damning light.
****1
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Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
****1
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