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Performer: Brandon Jovanovich

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ViennaAriadne auf Naxos

Strauss R.: Ariadne auf Naxos
Bertrand de Billy; Sven-Eric Bechtolf; Vienna State Opera; Rolf Glittenberg; Marianne Glittenberg; Lise Davidsen; Erin Morley

MunichParsifal

© Wilfried Hösl
Wagner: Parsifal
Franz Welser-Möst; Pierre Audi; Bavarian State Opera; Georg Baselitz; Florence von Gerkan; Sir Simon Keenlyside; Derek Welton

ParisLa Dame de PiqueNew production

Tchaikovsky: The Queen of Spades (Pique Dame)
Daniel Barenboim; Dmitri Tcherniakov; Opéra national de Paris; Oksana Lyniv; Elena Zaytseva; Brandon Jovanovich
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Why, why, why Dalila? More disappointment at Unter den Linden

Brandon Jovanovich (Samson) and Elīna Garanča (Dalila) © Matthias Baus
Daniel Barenboim conducts an underwhelming cast in the Staatsoper's new Samson et Dalila, and Argentinian director Damián Szifron's operatic debut is stale and cliché-ridden. 
**111
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Pagliacci/Cavalleria Rusticana sets the bar high at DNO

Cavalleria Rusticana: Rihab Chaieb (Lola) and Brian Jagde (Turiddu) © BAUS | Dutch National Opera
Exceptional singing, an auspicious conducting debut and a staging that is both sophisticated and emotionally involving make this production an unequivocal winner.
*****
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San Francisco Opera offers a dark, powerful Rusalka

Rachel Willis-Sørensen (Rusalka) and Kristinn Sigmundsson (Vodník) © Cory Weaver | San Francisco Opera
Both vocally and instrumentally the performance  was a high-class one
****1
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Carthage carnage: Tcherniakov's Trojans flops at the Bastille

Stéphanie d'Oustrac (Cassandre) © Vincent Pontet | Opéra national de Paris
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.
**111
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Hector Berlioz' Les Troyens conquer Vienna

Les Troyens © Wiener Staatsoper GmbH | Michael Pöhn
An epic night at the opera with Joyce DiDonato, which will be hard to forget.
*****
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Jansons trumps Neuenfels' tame Pique Dame in Salzburg

Evgenia Muraveva (Lisa) and Brandon Jovanovich (Hermann) © Monika Rittershaus
Mariss Jansons and the Vienna Philharmonic do the real storytelling as Hans Neuenfels' staging underwhelms.
***11
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