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Performer: Chicago Symphony Orchestra

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NaplesChicago Symphony Orchestra/ Riccardo Muti

Prokofiev, Dvořák
Chicago Symphony Orchestra; Riccardo Muti

FlorenceChicago Symphony Orchestra

Wagner, Hindemith, Prokofiev
Chicago Symphony Orchestra; Riccardo Muti

MilanChicago Symphony Orchestra

Wagner, Hindemith, Prokofiev
Chicago Symphony Orchestra; Riccardo Muti

LuganoChicago Symphony Orchestra

© Chris Lee
Wagner, Hindemith, Dvořák
Chicago Symphony Orchestra; Riccardo Muti

ChicagoLewis plays Beethoven

Tippett, Beethoven
Chicago Symphony Orchestra; Sir Andrew Davis; Paul Lewis
Latest reviewsSee more...

Muti and the CSO bring out the operatic in Prokofiev

Riccardo Muti conducts at Carnegie Hall © Todd Rosenberg Photography
A decade after Riccardo Muti was appointed CSO’s Music Director, the chemistry between conductor and ensemble couldn’t be more evident.
****1
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Chicago Symphony ranges from insipid to extraordinary at Carnegie Hall

Joyce DiDonato and the Chicago Symphony Orchestra at Carnegie Hall © Todd Rosenberg Photography
A sublime performance of Berlioz' La Mort de Cléopâtre by Joyce DiDonato, Riccardo Muti and the Chicago Symphony Orchestra overshadows the rest of a Rome-inspired concert at Carnegie Hall.
****1
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Virtuosic balance of power and delicacy at Ravinia Festival

Leonard Slatkin conducts the CSO © Russel Jenkins
Showcases of pure virtuosity by Denis Matsuev and the Chicago Symphony Orchestra, under Leonard Slatkin, in performances of both Rachmaninov’s Third Piano Concerto and Rimsky-Korsakov’s Scheherazade at Ravinia.
****1
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Esa-Pekka Salonen leads an outstanding Transfigured Night in Chicago

Esa-Pekka Salonen © Benjamin Suomela
Dame Mitsuko Uchida again brought out her outstanding musicality and special charisma in Bartók’s Third Piano Concerto.
****1
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A long-lasting relationship at Carnegie Hall

Riccardo Muti and the Chicago Symphony Orchestra perform at Carnegie Hall © Todd Rosenberg Photography
Riccardo Muti brought a Verdian quality to Brahms’ Second Symphony, adding a certain Italian volatility and declamatory grandeur to the music.
****1
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