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Performer: Dana Burešová

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PragueFidelioNew production

Beethoven: Fidelio
Andreas Sebastian Weiser; Vera Nemirova; Prague National Theatre Opera; Ulrike Kunze; Melanie Diener; Dana Burešová

PragueLibušeNew production

Dana Burešová (Libuše) © Jakub Gulyás
Smetana: Libuše
Jaroslav Kyzlink; Jan Burian; Prague National Theatre Opera; Jan Chalupecky; Daniel Dvořák; Kateřina Štefková; Dana Burešová

PragueRusalka

Dvořák: Rusalka
Robert Jindra; Jiří Heřman; Prague National Theatre Opera; Jaroslav Bönisch; Alexandra Grusková; Dana Burešová; Maria Kobielska

PragueThe Devil and Kate (Cert a Kácal)

Dvořák: The Devil and Kate (Cert a Kácal)
Jan Chalupecky; Marián Chudovský; Prague National Theatre Opera; Adolf Born; Kateřina Jalovcová; Jana Sýkorová

PragueThe Bartered Bride

Smetana: The Bartered Bride
Jaroslav Kyzlink; Magdalena Švecová; Prague National Theatre Opera; Petr Matásek; Zuzana Přidalová; Alžběta Poláčková; Dana Burešová
Latest reviewsSee more...

A cultural touchstone takes centre-stage at Prague's National Theatre

Dana Burešová (Libuše) © Jakub Gulyás
Smetana's Libuše makes a timely reappearance in Prague.
***11
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Wolfgang Wagner's swansong: Lohengrin in Prague

Lohengrin in Prague © Patrik Borecký
Clad in sulphurous yellow with beaded jet shoulder pads she looked well able to vanquish Lohengrin in single combat with the swish of her cloak.
****1
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Odyssey Opera's Dimitrij

Aleš Briscein and Dana Burešová © Kathy Wittman
A concert performance of Dvořák’s Dimitrij opened the fourth season of Boston’s intrepid Odyssey Opera, constituting the US première of Milan Pospíšil’s 2004 critical edition of the original 1882 score. 
****1
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Dalibor: The Czech Fidelio

Dana Burešová (Milada) and Alžběta Poláčková (Jitka) © Mark Allan | BBC
“What Czech does not like music?” declares Beneš, the jailor in Smetana’s opera Dalibor. Certainly not Jiří Bělohlávek, who is as superb an advocate for Czech music as any conductor in the world right now.
****1
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Unearthing a forgotten Czech gem

Dana Burešová (Helga) © Hana Smejkalová
Despite some staging problems, a Czech rarity gives the National Theater's new opera season a rousing start, with a vibrant score beautifully realized by conductor John Fiore.
***11
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