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Performer: Elsa Dreisig

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Klosters-SerneusOpera Gala

Mozart
Kammerorchester Basel; Riccardo Minasi; Elsa Dreisig

BerlinCosì fan tutteNew production

Mozart: Così fan tutte
Daniel Barenboim; Vincent Huguet; Staatsoper Berlin; Aurélie Maestre; Clémence Pernoud; Elsa Dreisig; Marianne Crebassa

BerlinDie Zauberflöte (Everding)

Mozart: Die Zauberflöte (The Magic Flute)
Oksana Lyniv; August Everding; Staatsoper Berlin; Fred Berndt; Dorothée Uhrmacher; Mauro Peter; Elsa Dreisig

ToulouseElsa Dreisig

Strauss R., Rachmaninov, Duparc
Elsa Dreisig; Jonathan Ware

ParisRigoletto

Verdi: Rigoletto
Speranza Scappucci; Claus Guth; Opéra national de Paris; Christian Schmidt; Željko Lučić; Elsa Dreisig
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Outstanding Beethoven, disappointing Berg from the LSO

Sir Simon Rattle and the LSO in Berg and Beethoven © Mark Allan
With fabulous solo singing from Pavol Breslik and Elsa Dreisig, Beethoven's only oratorio Christ on the Mount of Olives turns out to be a gem. Sadly, the Berg Violin Concerto misses the mark.
****1
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Magical Flute: McVicar's Zauberflöte returns to Covent Garden

Elsa Dreisig (Pamina) and Tuuli Takala (Queen of the Night) © ROH | Tristram Kenton

David McVicar’s imaginative staging of Mozart’s The Magic Flute comes back for its eighth run at the Royal Opera with an excellent new cast.

****1
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Don Giovanni according to Ivo van Hove: a puritan despite himself?

Don Giovanni at Palais Garnier © Charles Duprat / Opéra national de Paris
Don Giovanni returns to the Palais Garnier. The production by Ivo van Hove lacks energy but is wonderfully served by a cast of great young talents.
***11
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Violetter Schnee: Snowy apocalypse at the Staatsoper Berlin

Violetter Schnee © Monika Rittershaus

The world is sinking in "Violet Snow", as the opera by Beat Furrer, directed by Claus Guth, is given its world premiere at the Staatsoper unter den Linden. 

****1
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Too many mirrors spoil the Staatsoper's Hippolyte et Aricie

Reinoud Van Mechelen (Hippolyte), Anna Prohaska (Aricie), Staatsopernchor © Karl and Monika Forster
Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.
**111
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