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Performer: Enrique Mazzola

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ZürichIl turco in Italia (The Turk in Italy)New production

Il turco in Italia (The Turk in Italy)
Rossini: Il turco in Italia (The Turk in Italy)
Enrique Mazzola; Jan Philipp Gloger; Zurich Opera; Ben Baur; Karin Jud; Nahuel Di Pierro; Julie Fuchs

ParisDolce vita – Orchestre national d'Île-de-France

© Christophe Urbain
Puccini, Rachmaninov, Respighi
Enrique Mazzola; Alexander Gavrylyuk

ViennaDon Pasquale

Donizetti: Don Pasquale
Enrique Mazzola; Irina Brook; Vienna State Opera; Nöelle Ginefri-Corbel; Sylvie Martin-Hyszka; Roberto de Candia; Irina Lungu

ChicagoLuisa MillerNew production

Verdi: Luisa Miller
Enrique Mazzola; Francesca Zambello; Lyric Opera of Chicago; Michael Yeargan; Dunya Ramicova; Quinn Kelsey; Krassimira Stoyanova

ZürichDon PasqualeNew production

Don Pasquale
Donizetti: Don Pasquale
Enrique Mazzola; Christof Loy; Zurich Opera; Carrie-Ann Matheson; Johannes Leiacker; Barbara Drosihn; Johannes Martin Kränzle
Latest reviewsSee more...

Mixed Evening at Deutsche Oper Berlin's new Les Contes d'Hoffmann

Alex Esposito © Bettina Stöß
Deutsche Oper Berlin staged an ambitious production by Laurence Pelly with mixed results. The performance included new discoveries and young singers brought fresh energy to the evening.
***11
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French flair: Pure joy from Enrique Mazzola and the LPO

Enrique Mazzola © Eric Garault
Each of the works are particularly radiant in themselves, but made even more so as they were presented here.
****1
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David Alden's new Maria Stuarda disappoints in Zurich

Diana Damrau (Maria Stuarda) and Serena Farnocchia (Elisabetta) © Monika Rittershaus
Gaetano Donizetti’s Maria Stuarda is perhaps most famous for a single and highly emotional scene in which two monarchs engage in a venomous confrontation. One is doomed to die. 
***11
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A wing and a prayer: Le Prophète

Elena Tsallagova (Berthe) and Clémentine Margaine (Fidès) © Bettina Stöß
Oliver Py's new Meyerbeer staging offers plenty of clichés, but is a solid show, backed up by a fine musical performance.
****1
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Neon and cubes in Zurich

Maxim Mironov (Almaviva) © Toni Suter
Questionable identities, clandestine messages, love and money are the stuffs of Gioacchino Rossini’s Il barbiere di Siviglia, revived again in Zurich.
***11
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