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Performer: Erwin Schrott

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MunichDon Giovanni

Don Giovanni
Mozart: Don Giovanni
Antonino Fogliani; Stephan Kimmig; Bavarian State Opera; Katja Haß; Anja Rabes; Erwin Schrott; Luca Pisaroni

ViennaDon Giovanni

Mozart: Don Giovanni
Michael Güttler; Jean-Louis Martinoty; Vienna State Opera; Hans Schavernoch; Yan Tax; Carlos Álvarez; Erwin Schrott

MunichFestspielgala des Opernstudios

Festspielgala des Opernstudios
Bayerisches Staatsorchester; Andrea Battistoni; Erwin Schrott; Operastudio of Bayerische Staatsoper

MunichTosca

Tosca
Puccini: Tosca
Marco Armiliato; Luc Bondy; Bavarian State Opera; Richard Peduzzi; Milena Canonero; Sonya Yoncheva; Riccardo Massi

ZürichL'elisir d'amore

© Judith Schlosser
Donizetti: L'elisir d'amore
TBC; Grischa Asagaroff; Zurich Opera; Tullio Pericoli; Mané Galoyan; Mauro Peter
Latest reviewsSee more...

Highway to Hell: Don Giovanni returns to Covent Garden

Erwin Schrott (Don Giovanni) © ROH | Mark Douet
Kasper Holten's psychological take on the louche lothario remains controversial, but in its third revival, Erwin Schrott's powerful assumption of the title role is a delight.
***11
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Faust finds salvation thanks to jump-in soprano

Mandy Fredrich © Eellen Schmaus
A devilishly fun performance of Gounod's take on Goethe, saved when Mandy Fredrich flew in at short notice to take over the role of Marguerite. 
****1
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A superb, sinister Hoffmann at Dutch National Opera

Nina Minasyan (Olympia) © Baus
Selectively unearthed from current critical editions, this fabulously performed new Hoffmann plumbs the murky depths of its antihero’s psyche.
*****
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Herheim’s lavish Vêpres siciliennes returns

Michael Volle (Montfort) and Bryan Hymel (Henri) © ROH | Bill Cooper
A mural depicting Etna erupting is the only hint of Sicily in Stefan Herheim’s opulent staging, returning to Covent Garden for the first time since the Royal Opera’s Verdi bicentenary celebrations in 2013. 
****1
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Clémentine Margaine's Carmen seduces in Naples

Stefano Secco (Don José) e Clémentine Margaine (Carmen) © Luciano Romano
The staging highlighted Carmen’s rebellious traits more than her sensual exoticism.
***11
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