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Performer: Florian Sempey

Upcoming eventsSee more...

TokyoIl barbiere di Siviglia (The Barber of Seville)

Il barbiere di Siviglia (The Barber of Seville)
Rossini: Il barbiere di Siviglia (The Barber of Seville)
Antonello Allemandi; Josef Ernst Köpplinger; New National Theatre; Heidrun Schmelzer; Aya Wakizono; René Barbera

BerlinDinorah, ou Le Pardon de Ploërmel (konzertant)

Dinorah, ou Le Pardon de Ploërmel (konzertant)
Meyerbeer: Dinorah, ou Le Pardon de Ploërmel
Enrique Mazzola; Deutsche Oper Berlin; Sabine Devieilhe; Philippe Talbot; Florian Sempey; Nicole Haslett

BarcelonaIl barbiere di Siviglia

Rossini: Il barbiere di Siviglia (The Barber of Seville)
Manuel López Gómez; Josef Ernst Köpplinger; Gran Teatre del Liceu; Johannes Leiacker; Alfred Mayerhofer; Paola Gardina; Marina Viotti

ParisLe Barbier de Séville

Rossini: Il barbiere di Siviglia (The Barber of Seville)
Carlo Montanaro; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Silvia Aymonino; Lisette Oropesa; Xabier Anduaga

Monte-CarloLe Comte Ory

Rossini: Le Comte Ory
Gianluca Capuano; Patrice Caurier; Opéra de Monte-Carlo; Christian Fenouillat; Agostino Cavalca; Maxim Mironov; Deanna Breiwick
Latest reviewsSee more...

Donizetti's L'ange de Nisida proves to be a masterpiece

Lidia Fridman (Sylvia) © Gianfranco Rota
The performance at Bergamo Opera Festival proved that L'ange de Nisida can contest the place of La favorite in Donizetti's catalog.
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Les Indes galantes: with Alarcón, Rameau conquers the Bastille

Les Indes galantes at Opéra Bastille, with the dance company Rualité © Little Shao / Opéra national de Paris
The new production of Les Indes galantes at Opéra Bastille is exceptional, from the vocal cast to the choreography by Bintou Dembélé. But the stand-out performance of the evening comes from conductor Leonardo Garcia Alarcón.
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Lisette Oropesa conquers Paris in Les Huguenots

Lisette Oropesa (Marguerite de Valois) © Opéra de Paris | Agathe Poupeney
It's a big night at the Opéra Bastille for their 350th anniversary season; Oropesa's dazzling coloratura stops the show; Andreas Kriegenburg sets the action interestingly in a Star Trek future.
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No moonlight, no magic: a vanilla Bohème

Nicole Car (Mimì) and Mariusz Kwiecień (Marcello) © ROH | Catherine Ashmore
After his affectionate treatment of La fanciulla del West for ENO and his devastating Suor Angelica for the Royal Opera, Richard Jones’ new La bohème is disappointingly bland.
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Platée at Opéra Garnier : Folly in charge

One has to admit that the 2015 vintage of this operatic Grand Cru, with us since 1999, is a particularly fine one. To be consumed with immoderation!
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