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Performer: Gianandrea Noseda

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LondonLSO/ Noseda: Carmina Burana

© Jonas Becker
Saint-Saëns, Orff
London Symphony Orchestra; Simon Halsey; Alice Sara Ott; Christina Poulitsi; Sunnyboy Dladla; Elliot Madore

ZürichEin deutsches Requiem

© Tony Hitchcock
Brahms: Ein Deutsches Requiem - A German Requiem, Op.45
Philharmonia Zürich; Ernst Raffelsberger; Rachel Harnisch; Konstantin Shushakov; Zusatzchor der Oper Zürich; Zurich Opera Chorus

LondonLSO/Noseda: Shostakovich 'The Year 1905'

© Harald Hoffmann | Decca
Britten, Shostakovich
London Symphony Orchestra; Gianandrea Noseda; Janine Jansen
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StockholmBeethoven Symphony no. 6

Beethoven Symphony no. 6
Beethoven: Symphony no. 6 in F major "Pastoral", Op.68
Royal Stockholm Philharmonic Orchestra; Gianandrea Noseda

LondonLSO on Stage: Shostakovich 1

London Symphony Orchestra
Shostakovich: Symphony no. 1 in F minor, Op.10
London Symphony Orchestra; Gianandrea Noseda

StockholmMozart Piano Concerto no. 16

© Lynn Goldsmith
Mozart, Respighi, Rota
Royal Stockholm Philharmonic Orchestra; Gianandrea Noseda; Lise de la Salle
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Rollicking Mahler Fifth may have just put NSO on the global map

Gianandrea Noseda © Steve Sherman
Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra
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Thrilling Shostakovich with a heart of desperation from the LSO

Gianandrea Noseda © Mark Allan
Shostakovich, combined with witty Prokofiev, warm and expressive Mozart and atmospheric Mussorgsky from Noseda and the LSO at the Barbican.
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Game of two halves: Buniatishvili, Noseda and the LSO

Khatia Buniatishvili © Julia Wesely
Buniatishvili 4 – Tchaikovsky 2 at the interval, but Dmitri Dmitrievich comes off the bench after half time to level for the Russians in Leningrad.
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Noseda digs into his “Russian Roots” with the LSO

Gianandrea Noseda conducts the LSO © Mark Allan | Barbican
Gianandrea Noseda proves his Russian credentials with a nerve-shredding, volatile account of Tchaikovsky's Fifth Symphony. 
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Expanded Puts song cycle scores well for NSO

Gianandrea Noseda © Scott Suchman
Kevin Puts’ expanded work on Georgia O’Keeffe and Alfred Steiglitz provides another triumph for Renée Fleming and the NSO, while two Strauss works demonstrate both its artistic re-emergence and work left to do.
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A luxuriant Tristan und Isolde Act 2 from Noseda and the NSO

Stephen Gould (Tristan) and Christine Goerke (Isolde) © Scott Suchman

Wagner’s Liebestod-laden second act proves the ideal opera snapshot in Washington DC. 

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