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Performer: Hannu Lintu

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New York CityProject 19: Hannu Lintu conducts Anna Thorvaldsdottir

Sibelius, Rachmaninov, Thorvaldsdottir
New York Philharmonic Orchestra; Hannu Lintu; Yuja Wang

SavonlinnaKarita Mattila – the grand festive gala

Savonlinna Opera Festival
Respighi, Verdi, Strauss R., Busoni, Ponchielli, Wagner
Savonlinna Opera Festival Orchestra; Hannu Lintu; Karita Mattila
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London2015: The midnight sun

London Philharmonic Orchestra
Penderecki, Schubert, Wennäkoski, Sibelius
London Philharmonic Orchestra; Hannu Lintu; Gábor Boldoczki
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Cosmic coolness: Hannu Lintu and the Boston Symphony Orchestra

Hannu Lintu © Hilary Scott
Pastoral repose and granitic grandeur in an awe-inspiring performance of Sibelius' Second Symphony. 
****1
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A colorful collage: Hannu Lintu opens the Boston Symphony’s season

Bartók's Concerto for Orchestra – premiered by the BSO under Serge Koussevitzky and a familiar calling card ever since – opens the new season.
****1
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Kullervo at the Savonlinna Festival

Rusanen (Kullervo), Birthe Wingren (Blind Singer), Karlström (Kimmo), and Hannu Forsberg (Kalervo) © Soila Puurtinen, Itä-Savo
Kari Heiskanen's questionable production of Sallinen's bleak opera is revived with a superb cast under the nuanced baton of Hannu Lintu.
****1
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Hannu Lintu and Hélène Grimaud open the Philharmonia's Brahms cycle

It is often said of British orchestras that their sound lacks the visceral, characterful edge of their colleagues on the continent.
****1
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Mystery and motion with Angela Hewitt at Sydney Opera House

Beethoven, Mozart, Angela Hewitt are all much loved names in the world of classical music. The promise of a Mozart piano concerto played by Angela Hewitt and a Beethoven symphony is enough to whet any music lover’s appetite. However, as in so many Sydney Symphony concerts, there was another work thrown in, which one could have been forgiven for glossing over in the evening’s publicity.
****1
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Style and Substance: Hannu Lintu at the Meyerson

Finnish conductor Hannu Lintu made a big impression in his début with the Dallas Symphony Orchestra in a colorful program of Ravel, Chopin, and Stravinsky – Le Tombeau de Couperin , the Piano Concerto no. 2 in F Minor, Op. 21, and Petrushka, respectively.
****1
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