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Performer: Hans Neuenfels

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MunichSouth Pole

© Wilfried Hösl
Srnka: South Pole
Marie Jacquot; Hans Neuenfels; Bavarian State Opera; Katrin Connan; Andrea Schmidt-Futterer; John Daszak; Tara Erraught

MunichManon Lescaut

© Wilfried Hösl
Puccini: Manon Lescaut
Marco Armiliato; Hans Neuenfels; Bavarian State Opera; Stefan Mayer; Andrea Schmidt-Futterer; Sonya Yoncheva; Stefano La Colla

BerlinSalome

Strauss R.: Salome
Thomas Guggeis; Hans Neuenfels; Staatsoper Berlin; Reinhard von der Thannen; Vida Mikneviciute; Johan Reuter
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Double vision in Wiener Staatsoper's Entführung

Christian Nickel (Bassa Selim) and Lisette Oropesa (Konstanze) © Michael Pöhn | Wiener Staatsoper GmbH
Actors double up with singers in Hans Neuenfels' innovative production of Die Entführung aus dem Serail in Vienna. 
*****
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Oscar Wilde takes centre stage in Staatsoper's Salome

Aušrinė Stundytė (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.
***11
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Jansons trumps Neuenfels' tame Pique Dame in Salzburg

Evgenia Muraveva (Lisa) and Brandon Jovanovich (Hermann) © Monika Rittershaus
Mariss Jansons and the Vienna Philharmonic do the real storytelling as Hans Neuenfels' staging underwhelms.
***11
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Rachvelishvili triumphs as Azucena in Berlin

Angela Meade (Leonora) and Annika Schlicht (Ines) © Bettina Stöß
In a dated production by Hans Neuenfels, conductor Giacomo Sagripanti leads a musically successful Trovatore, where Angela Meade and Anita Rachvelishvili show their vocal brilliance.
****1
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Neuenfels' bloodless Salome in Berlin

Ausrine Stundyte (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.
***11
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A sizzling myth of matricide

Evelyn Angela Gugolz (Klytaemnestra) and Georg Nigl (Orest) © Judith Schlosser
In the hands of director Hans Neuenfels, the Swiss première of Manfred Trojahn’s Orest was widely anticipated for its “splashes of gore and commensurate splatters of sound”.
*****
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