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Jamie Barton

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New York CityRoberto Devereux

Donizetti: Roberto Devereux
Maurizio Benini; Sir David McVicar; Metropolitan Opera; Moritz Junge; Angela Meade; Jamie Barton

MunichDialogues des Carmélites

© Wilfried Hösl
Poulenc: Dialogues des Carmélites
Bertrand de Billy; Dmitri Tcherniakov; Bavarian State Opera; Elena Zaytseva; Kristian Paul; Miles Mykkanen

ParisHarding conducts Mahler's Eighth

Mahler: Symphony no. 8 in E flat major "Symphony of a Thousand"
Orchestre de Paris; Daniel Harding; Chœur de l'Orchestre de Paris; Chœur d'enfants de l'Orchestre de Paris; Le jeune choeur de Paris; Chœur d'enfants des filières voix des Conservatoires de Paris
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The Genius of Women: Jamie Barton at Wigmore Hall

Jamie Barton © Stacey Bode
Jamie Barton and Kathleen Kelly offer a thought-provoking meditation on women as they are portrayed and as they portray themselves.
****1
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At the Met, a revival of Orfeo ed Euridice

Hei-Kyung Hong (Euridice) and Jamie Barton (Orfeo) © Ken Howard | Met Opera
Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.
****1
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San Francisco Opera offers a dark, powerful Rusalka

Rachel Willis-Sørensen (Rusalka) and Kristinn Sigmundsson (Vodník) © Cory Weaver | San Francisco Opera
Both vocally and instrumentally the performance  was a high-class one
****1
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Atlanta Opera presents Dead Man Walking

Jamie Barton (Sister Helen Prejean) and Michael Mayes (Joseph De Rocher) © Jeff Roffman
Jake Heggie's Dead Man Walking is credited as being the most performed 21st-century opera, and with good reason.
****1
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A powerful performance of Verdi's Requiem from Pappano

Sir Antonio Pappano © ROH | David Bebber
Perhaps feeling that the drama and emotion of the Ring Cycle wasn't enough for one year, Antonio Pappano assembled a strong quartet and deployed the ROH's forces in a powerful, moving performance of Verdi's Messa da Requiem.
****1
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