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Performer: Kristina Mkhitaryan

Upcoming eventsSee more...

ZürichLa traviata

La traviata
Verdi: La traviata
Fabio Luisi; David Hermann; Zurich Opera; Christof Hetzer; Kristina Mkhitaryan; Liparit Avetisyan

GenevaLes Indes galantes

Rameau: Les Indes galantes
Leonardo García Alarcón; Lydia Steier; Grand Théâtre de Genève; Heike Scheele; Katharina Schlipf; Kristina Mkhitaryan; Renato Dolcini

LondonCarmen

Bizet: Carmen
Julia Jones; Barrie Kosky; The Royal Opera; Christopher Willis; Katrin Lea Tag; Anaïk Morel

GlyndebourneRinaldo

Handel: Rinaldo
Maxim Emelyanychev; Robert Carsen; Glyndebourne Festival Opera; Gideon Davey; Elizabeth DeShong; Tim Mead

LondonLa traviata

Verdi: La traviata
Daniel Oren; Sir Richard Eyre; The Royal Opera; Francesco Ivan Ciampa; Bob Crowley; Hrachuhí Bassénz
Latest reviewsSee more...

Trittico's 100th anniversary and Domingo's 50th

Plácido Domingo (Gianni Schicchi) © Ken Howard | Metropolitan Opera
All three operas in Puccini's triptych are strongly cast in this revival. 
****1
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Il corsaro as The life of Byron

Oksana Dyka (Gulnara) © Miguel Lorenzo and Mikel Ponce | Les Arts
Nicola Raab puts Byron at the heart of Il corsaro in her new production for the Palau de les Arts, but doesn’t always know what to do with him.
***11
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Kosky's Carmen fails to light fires

Jacquelyn Stucker (Frasquita), Anna Goryachova (Carmen) and Aigul Akhmetashina (Mercédès) © ROH | Bill Cooper
Interesting ideas and a brilliant orchestral performance aren't enough to overcome a visually dull staging, predictable choreography and a lack of chemistry between the protagonists.
**111
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Eliogabalo’s dark carnival in Amsterdam

Franco Fagioli (Eliogabalo) © Ruth Walz | DNO
Cappella Mediterranea blows life into Eliogabalo’s dark carnival as imagined by Thomas Jolly.
***11
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A strong Violetta carries an uninspired Traviata revival

Kristina Mkhitaryan (Violetta) © Robbie Jack
Tom Cairns' production feels empty and distracted, but Kristina Mkhitaryan was a sensational Violetta, strongly reinforced by an impressive Germont from Igor Golovatenko.
****1
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