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Kristine Opolais, soprano

“It’s not a Cinderella story”: Kristine Opolais

Kristine Opolais © Tatyana Vlasova
Latvian soprano Kristine Opolais shot to international fame in 2010 in Dvořák’s Rusalka at the Bavarian State Opera. She talks to us having recently performed the role in Mary Zimmerman’s much anticipated new production at The Met.
July 2018
Evening performance
Matinee performance
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JūrmalaJūrmala Festival. Opening concert. Born in Latvia

© Tatyana Vlasova
Latvia's Centenary Youth Symphony Orchestra; Ainārs Rubiķis; Kristine Opolais; Kalvis Kalniņš; Vineta Sareika; Mikus Akots

LondonAndris Nelsons and the Gewandhausorchester Leipzig

© Marco Borggreve
Dzenītis, Tchaikovsky, Mahler
Leipzig Gewandhaus Orchestra; Andris Nelsons; Kristine Opolais

LiepājaNelsons, Opolais and Leipzig Gewandhaus Orchestra

Nelsons, Opolais and Leipzig Gewandhaus Orchestra
Dzenītis, Tchaikovsky, Mahler
Leipzig Gewandhaus Orchestra; Andris Nelsons; Kristine Opolais


Puccini: Tosca
Evelino Pidò; Margarethe Wallmann; Vienna State Opera; Nicola Benois; Kristine Opolais; Vittorio Grigòlo

LenoxAndris Nelsons conducts Puccini's La bohème (semi-staged)

Puccini: La bohème
Andris Nelsons; Daniel Rigazzi; James Burton; Piotr Beczała; Kristine Opolais; Franco Vassallo

New York CityIl trittico

Bertrand de Billy; Jack O'Brien; Metropolitan Opera; Douglas W. Schmidt; Jess Goldstein; George Gagnidze; Lucio Gallo
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More than A Little Night Music: Mozart and Shostakovich in Boston

Kristine Opolais, Andris Nelsons and the Boston Symphony © Robert Torres
Andris Nelsons' Mozart–Shostakovich pairing allowed the Boston Symphony winds to take the spotlight in the first half, leaving the strings and limited percussion to their task in the second. 
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In Prague, a radiant Dvořák Stabat Mater

René Pape © Petra Hajska
The Dvořákʼs Prague Festival opens with an upbeat treatment of one of the composer's masterworks.
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A Tanglewood afternoon without clouds

Andris Nelsons © Marco Borggreve
A Sunday afternoon program at Tanglewood introduced a young virtuoso and emphasized Mahler's Fourth Symphony's classicism.
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Neither shocking nor shabby: Tosca at Llangollen

Kristine Opolais © Tatyana Vlasova
The Llangollen International Eistedffod opens with a star-studded concert performance of Puccni's political/romantic thriller.  
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A missed opportunity but with great musical values

Kristine Opolais (Rusalka) and Eric Owens (Vodník) © Ken Howard | Metropolitan Opera
The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.
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Johan Botha's death casts a pall over Madama Butterfly

Kristine Opolais (Cio-Cio San) © Wiener Staatsoper | Michael Pöhn
Kristine Opolais may not pass so easily for an oriental 15 year old, but her Cio-Cio San deftly avoids Titipu stereotypes.
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