Guide to the London Symphony Orchestra

Bernstein 100: the LSO’s tribute to a big-hearted man

The LSO celebrates Bernstein's genius with a series of concerts this led by newly installed Music Director, Sir Simon Rattle, and by Bernstein protégé, Marin Alsop.

This is Rattle: LSO new season

It’s been the most hotly anticipated arrival in British classical music for years. Sir Simon Rattle takes up his post as Music Director of the London Symphony Orchestra with a refreshing season programme. 
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© Ranald Mackechnie
© Ranald Mackechnie
« ...we were certainly treated to a bewitching opening, with Simon Rattle and the LSO's string section producing a tone so warm and shimmering as to transport you from northern winter to sunnier climes faster than a magic carpet. »
David KarlinBachtrack
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LondonBernstein 100

Bernstein
Sir Simon Rattle; Danielle de Niese; Nathan Gunn; Duncan Rock; London Symphony Chorus

LondonStrauss and Mahler

Strauss R., Mahler
London Symphony Orchestra; Sir Simon Rattle; Simon O'Neill; Christian Gerhaher

ParisStrauss, Wagner, Bernstein

Strauss R., Wagner, Bernstein
London Symphony Orchestra; Sir Simon Rattle; Krystian Zimerman

DortmundStrauss, Wagner, Bernstein

Strauss R., Wagner, Bernstein
London Symphony Orchestra; Sir Simon Rattle; Krystian Zimerman

LondonHalf Six Fix: Wonderful Town

Bernstein: Wonderful Town
Sir Simon Rattle; Danielle de Niese; Nathan Gunn; Duncan Rock; London Symphony Orchestra

LondonSir Simon Rattle / Kožená

Schubert, Mahler, Handel, Rameau
London Symphony Orchestra; Sir Simon Rattle; Magdalena Kožená
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Rattle brings out the LSO's brilliance in Das Lied von der Erde

Rattle and the LSO give hundreds of moments of individual brilliance in this most symphonic of song cycles, but with both soloists giving grounds for reservation.
***11
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Znaider concludes his Mozart cycle in style

In Nikolaj Znaider’s return to the LSO, there was a palpable sense of ending. The Mozart violin concertos were played with informal amicability, and Tchaikovsky’s Sixth Symphony was beautifully contained.
***11
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Infernal Liszt: Ott, Pappano and a Faustian pact

The Faust Symphony formed the bloated climax of a demonic date with the Grim Reaper, who loomed large over Sir Antonio Pappano's “Total Liszt” programme with the LSO.
****1
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Lamentations and Jubilation: Bernstein celebrated in style

It was fitting that Marin Alsop – Bernstein’s protégé in his final years – should pair Mahler and Bernstein symphonies for this second LSO concert marking his centenary.
****1
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Veronika Eberle wows in Mendelssohn

This was the second of Bernard Haitink’s Barbican appearances with the London Symphony Orchestra mostly drawing on the Austro-German orchestral tradition in electric and efficient perfromances. 
****1
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Classical tradition as Bernard Haitink joins the LSO for Brahms and Beethoven

Bernard Haitink always provides intelligent symphonic readings and in his interpretation of Brahms' Third, he brought a lifetime of experience to the piece. 
****1
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Biography

The London Symphony Orchestra is bringing the greatest music to the greatest number of people. This is at the heart of everything that it does. This commitment to serve music and the people who love music is borne of a unique ethos developed over more than 100 years. Established in 1904 by a number of London’s finest musicians, the LSO is a self-governing musical collective built on artistic ownership and partnership. The Orchestra is still owned by its Members and has a signature sound emanating from the combined zeal and virtuosity of these 95 brilliant musicians who come from around the world; its music-making remains firmly at the centre of the Orchestra’s activities. The LSO is Resident Orchestra at the Barbican in the City of London, where it gives 70 symphonic concerts every year, and performs a further 70 concerts worldwide on tour. The Orchestra works with a family of artists that includes the world’s greatest conductors – Sir Simon Rattle as Music Director Designate, Gianandrea Noseda and Daniel Harding as Principal Guest Conductors, Michael Tilson Thomas as Conductor Laureate and André Previn as Conductor Emeritus. LSO Discovery, the Orchestra’s community and education programme based at LSO St Luke’s, brings the work of the LSO with all parts of society and engages with 60,000 people every year. The LSO reaches out much further with its own recording label – LSO Live, the first of its kind which launched in 1999 – and now streams its music to millions around the world.

Visit the LSO website for more information.