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BarcelonaAlcina

Handel: Alcina
Marc Minkowski; Gran Teatre del Liceu; Les Musiciens du Louvre; Magdalena Kožená; Anna Bonitatibus; Erin Morley
PragueConcert with the season’s artists-in-residence

Schumann, Martinů
Czech Philharmonic; Sir Simon Rattle; Magdalena Kožená
BarcelonaL'incoronazione di Poppea

Monteverdi: L'incoronazione di Poppea, SV 308
Jordi Savall; Calixto Bieito; Gran Teatre del Liceu; Luca Guglielmi; Rebecca Ringst; Ingo Krügler; Franck Evin
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PragueEvening Songs
Dvořák, Krása, Klein, Janáček
Czech Philharmonic; Sir Simon Rattle; Magdalena Kožená
BarcelonaL'incoronazione di Poppea

Monteverdi: L'incoronazione di Poppea, SV 308
Jordi Savall; Calixto Bieito; Gran Teatre del Liceu; Rebecca Ringst; Ingo Krügler; Franck Evin; Le Concert des Nations
Aix-en-ProvenceInnocenceWorld premiere
Saariaho: Innocence
Susanna Mälkki; Simon Stone; Festival d'Aix-en-Provence; Magdalena Kožená; Sandrine Piau; Tuomas Pursio; Markus Nykänen
Latest reviewsSee more...
Rattle and the LSO chill the soul in Kátya Kabanová
Amanda Majeski reprises her peerless Kátya, but Katarina Dalayman's flint-like characterisation as Kabanicha strikes the most sparks.
A model residency for the Czech Philharmonic at the Rudolfinum
With fresh programming and superb performances, artists-in-residence Magdalena Kožená and Sir Simon Rattle add another dimension to the Czech Philharmonic season.
Depths and heights in Birtwistle and Mahler from Gardner and the LPO
Sir Harrison Birtwistle is remembered by Edward Gardner before a performance of Deep Time, followed by Mahler's Song of the Earth.
Great music but balance off-kilter: the LSO tackle Weill
Problems of balance bedevilled a fine programme of some of Weill's most bitter, ironical works which improved substantially after the interval.
Giacomelli's Merope resurrected by Marcon at the Concertgebouw
Andrea Marcon and La Cetra give the first modern performance of Geminiano Giacomelli’s opera La Merope at the Concertgebouw.
Reunions and farewells: Rattle and the LSO return to the Barbican
Magdalena Kožená's excellence of tone and line in her first two songs did not prepare us for her profundity in Der Abschied.