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Performer: Marie-Claude Chappuis

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GenevaBeethoven's Symphony no. 9

Orchestre de la Suisse Romande
Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Orchestre de la Suisse Romande; Jonathan Nott; Sonya Yoncheva; Marie-Claude Chappuis; Mauro Peter; Manuel Walser

GenevaDidon et Énée

Purcell: Dido and Aeneas
Emmanuelle Haïm; Franck Chartier; Grand Théâtre de Genève; Justine Bougerol; Anne-Catherine Kunz; Giacomo Gorini; Marie Lys
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All-Mozart concert in Montreal

A fresh approach to two late Mozart works earned the adulation of a Montreal Symphony Orchestra audience.
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Norrington and LPO provide emotion and insight in Dido and Aeneas

Sir Roger Norrington and a strong cast joined a Baroque-style London Philharmonic Orchestra in a highly accomplished Dido and Aeneas, preceded by Handel’s clean and stately Water Music.
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Strongly cast Guillaume Tell hits its mark at Theater an der Wien

Osborn absolutely lives the part; he negotiated formidable heights, intricate passage work and the sheer volume of notes with style and clarity as well as colour and nuance. 
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Mixed results as Fierrabras premieres at La Scala

Harding's grasp of the work's architecture that provides overall coherence. That, combined with the pithy, pulsing core he forges at its heart, makes this performance as engaging as it is polished.
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Lully's Alceste a great success in Versailles

Christophe Rousset and Les Talens Lyriques perform Alceste, the most recent effort in their almost complete set of Lully's operas. A strong cast and a remarkable chorus complete a successful performance.
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Inspired Ritorno d’Ulisse at the Concertgebouw

Under the baton of René Jacobs, B’rock Orchestra gave an inspired performance  that ought to contribute in giving Il ritorno d’Ulisse in Patria the place it deserves in the standard repertoire.
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