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Performer: Marina Prudenskaya

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Wagner: Tannhäuser
Thomas Guggeis; Sasha Waltz; Staatsoper Berlin; Pia Maier-Schriever; Bernd Skodzig; Rachel Willis-Sørensen; Marina Prudenskaya

ParisStaatskapelle Berlin plays Beethoven IV

Staatskapelle Berlin; Daniel Barenboim; Chœur de l'Orchestre de Paris; Simone Schneider; Marina Prudenskaya; Klaus Florian Vogt

AthensStaatskapelle Berlin & Barenboim in Athens

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Staatskapelle Berlin; Daniel Barenboim; Simone Schneider; Marina Prudenskaya; Klaus Florian Vogt; René Pape
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Oscar Wilde takes centre stage in Staatsoper's Salome

Aušrinė Stundytė (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.
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Jörg Widmann's Babylon revised for Staatsoper Berlin premiere

Charles Workman (Tammu) © Arno Declair
Widmann packs everything into Babylon – from classical arias to dissonant clusters, military marches, film music and a few chamber music moments.
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Hansel and Gretel reloaded in Zurich

Marina Prudenskaya (Witch) © T+T/Tanja Dorendorf
Engelbert Humperdinck’s Hänsel und Gretel has appeal for all ages, but Robert Carsen’s production is a different take on the beloved fairy tale.
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Smoke without fire: Medée fails to ignite

Sonya Yoncheva (Médée) © Bernd Uhlig
Fine musical performances meet Andrea Breth's dreary new production in a dramatically unsatisfying evening at the Staatsoper.
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Neuenfels' bloodless Salome in Berlin

Ausrine Stundyte (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.
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Sweet nothings: a disappointing Hänsel und Gretel

Katrin Wundsam (Hänsel) and Elsa Dreisig (Gretel) © Monika Rittershaus
Achim Freyer's production robs Humperdinck's fairy tale of heart and drama at the Lindenoper.
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