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Young artists

Performer: Markus Stenz

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RomeMarkus Stenz / Andrei Korobeinikov

Debussy, Rachmaninov, Busoni, Scriabin
Orchestra dell'Accademia Nazionale di Santa Cecilia; Markus Stenz; Andrei Korobeinikov

ParisFin de partieNew production

Kurtág: Fin de partie
Markus Stenz; Pierre Audi; Opéra national de Paris; Christof Hetzer; Urs Schönebaum; Hilary Summers
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AmsterdamSunday Morning Concerts: Beethoven

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Radio Filharmonisch Orkest; Markus Stenz; Netherlands Radio Choir (Groot Omroepkoor); Aga Mikolaj; Kristina Hammarström; Zoltán Nyári

AmsterdamSunday Morning Concerts: Mozart's Great Mass

Mozart: Mass no.18 in C minor "Great", K427 (K417a)
Radio Filharmonisch Orkest; Markus Stenz; Netherlands Radio Choir (Groot Omroepkoor); Lenneke Ruiten; Sophie Harmsen; Attilio Glaser

AmsterdamSaturday Matinees: Mahler and Braunfels

Mahler, Braunfels
Radio Filharmonisch Orkest; Markus Stenz; Netherlands Radio Choir (Groot Omroepkoor); State Choir Latvia; Meagan Miller; Roy Cornelius Smith
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Perfect symbiosis of words and music in Fin de partie

György Kurtág’s long awaited opera Fin de partie gets a second run in Amsterdam after its La Scala premiere, with the same excellent cast, conductor and production team.

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Beckett at La Scala: world première of Kurtág's Fin de partie

Never before has human impotence been so cruelly portrayed on stage.
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Minnesota Orchestra reacquaint with old friends in Minneapolis

In Minneapolis, Markus Stenz and Louis Lortie present time-honored Austro-German symphonic masterpieces in committed and compelling performances.
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An impressive Babylon at the Holland Festival

The loud cheers for the performers were richly deserved, although Jörg Widmann’s imposing but sprawling Babylon was not well-served by the concert format.
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Magnificent terror in Requiem for Hieronymus Bosch

Detlev Glanert's first religious composition, a staggering Requiem for solo voices, two choirs and orchestra, pits the demonic against the angelic, and is worthy of the genius it celebrates.
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Savage and noble: Wozzeck at the Concertgebouw

A mesmerising Wozzeck, thanks to the trampled dignity of Florian Boesch’s antihero, Asmik Grigorian’s gloriously sung Marie, and a thrillingly savage Netherlands Radio Philharmonic.
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