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Performer: Matthias Goerne

Upcoming eventsSee more...

SalzburgThe Magic Flute (Die Zauberflöte)New Production

The Magic Flute (Die Zauberflöte)
Mozart: Die Zauberflöte (The Magic Flute)
Constantinos Carydis; Lydia Steier; Katharina Schlipf; Ursula Kudrna; Matthias Goerne; Mauro Peter

SalzburgLied Recital Goerne · HinterhäuserLied Recitals

Schumann
Matthias Goerne; Markus Hinterhäuser

LondonDie Walküre

Die Walküre
Wagner: Die Walküre
Vladimir Jurowski; Stuart Skelton; Stephen Milling; Michelle DeYoung; Matthias Goerne

RotterdamLahav Shani and the Viennese School

Mahler, Schubert, Berg
Rotterdam Philharmonic Orchestra; Lahav Shani; Matthias Goerne

BarcelonaMatthias Goerne & Leif Ove Andsnes

Schubert: Die schöne Müllerin (W. Müller), D.795
Matthias Goerne; Leif Ove Andsnes
Latest reviewsSee more...

Hengelbrock bids farewell to the NDR Elbphilharmonie

Thomas Hengelbrock © Michael Zapf
Ater seven years at the helm and a controversial early departure, Thomas Hengelbrock gives his final concerts as principal conductor of the oldest German radio orchestra.
****1
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A message of consolation 150 years on

Paavo Järvi © Ixi Chen
Celebrating the 150th anniversary of its first performance, Paavo Järvi directs the Deutsche Kammerphilharmonie Bremen in Brahms' Requiem, with the Latvian State Choir and two outstanding soloists.
***11
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Goerne and Trifonov at the Konzerthaus

Daniil Trifonov © Dario Acosta | Deutsche Grammophon
Despite some fascinating, impressive and often beautiful moments, the consistent refusal to give the audience time to applaud, pause and digest what they had just heard turned the evening into a wash of death songs.
**111
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A topsy-turvy Rheingold in concert from Jurowski and the LPO

Matthias Goerne and Michelle DeYoung © Simon Jay Price
Robert Hayward was unafraid to 'go ugly' when need be in Jurowski's symphonically executed concert performance. 
***11
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Skilfully constructed: Wozzeck at the Salzburg Festival

Matthias Goerne (Wozzeck) © Salzburger Festspiele | Ruth Walz
A skilfully constructed production, and one that plays with the our perspectives. Whether the images are flashbacks from a war-troubled Wozzeck or a Büchner-esque portent of the horrors to come is left for the audience to decide.
****1
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