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Performer: Mauro Peter

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ZürichHaydn - Die Schöpfung

Haydn - Die Schöpfung
Haydn: The Creation (Die Schöpfung), Hob XXI:2
Orchestra La Scintilla Zurich; Riccardo Minasi; Rebecca Bottone; Mauro Peter; Morgan Pearse; La Cetra Vokalensemble

ZürichDie Zauberflöte

Die Zauberflöte
Mozart: Die Zauberflöte (The Magic Flute)
Sascha Goetzel; Tatjana Gürbaca; Zurich Opera; Klaus Grünberg; Silke Willrett; Mauro Peter; Olga Kulchynska

AmsterdamBach's St Matthew Passion

Bach's St Matthew Passion
Bach: St Matthew Passion, BWV244
Royal Concertgebouw Orchestra; Trevor Pinnock; Maximilian Schmitt; Florian Boesch; Christina Landshamer; Ann Hallenberg

LondonMauro Peter and Helmut Deutsch

Mauro Peter; Helmut Deutsch

Graz5. Liederabend

Mozart, Beethoven, Mendelssohn, Wolf
Mauro Peter; Helmut Deutsch
Latest reviewsSee more...

A cauldron of confusion: Handel’s Belshazzar staged in Zürich

Mauro Peter (Belshazzar) © Herwig Prammer
Lawrence Cummings conducts Zurich’s Orchestra La Scintilla in Handel’s oratorio-cum-opera, Belshazzar. The music was celestial; the staging was a bombastic mix of excess and vaudeville.
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Physiology, puppetry and pharmaceuticals at Theater an der Wien

Vincent Wolfsteiner (Hüon), Annette Dasch (Rezia) and Sebastian Mock (Puck) © Werner Kmetitsch
Director Nikolaus Habjan took Oberon’s inherent miscellany and ran with it, straight into a retro-futurism aesthetic.
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“What a commotion!” A slapstick Finta giardiniera in Zurich

La finta giardiniera © Herwig Prammer
Zurich Opera stages Tatjana Gürbaca’s production of Mozart’s La finta giardiniera. True to the opera buffa genre, it teems with silliness.
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On longing and abandonment: Spuck’s Winterreise premieres in Zurich

Dancers of the Zurich Ballet in Spuck's Winterreise © Gregory Bartadon
Christian Spuck, Zurich’s ballet director has crafted a new version of Hans Zender’s adaptation of Die Winterreise
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A spirited revival of The Magic Flute at Covent Garden

Roderick Williams (Papageno) and Siobhan Stagg (Pamina) © ROH | Tristram Kenton
In Thomas Guthrie’s revival of Sir David McVicar’s sober 2003 production of Mozart’s Singspiel, it was the pantomime elements of the show which registered strongly.
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