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Performer: Michael Thalheimer

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Grand Théâtre Genève
Wagner: Parsifal
Jonathan Nott; Michael Thalheimer; Grand Théâtre de Genève; Henrik Ahr; Michaela Barth; Josef Wagner; Tómas Tómasson

BerlinDer Freischütz

Weber: Der Freischütz
Alexander Soddy; Michael Thalheimer; Staatsoper Berlin; Olaf Altmann; Katrin Lea Tag; Evelin Novak; Victoria Randem
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Troy Story: Les troyens in Hamburg

Torsten Kerl (Énée) © Hans Jörg Michel (2016)
A musically strong revival of an austere production still leaves one feeling short-changed.
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Less is moor: a powerful, minimalist Otello in Düsseldorf

A fascinating, psychologically penetrating reading of Verdi’s penultimate opera, performed to the highest standards, promises much for the new season at the Deutsche Oper am Rhein. 
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Inside the mind of the Moor with Thalheimer's Otello in Antwerp

The unclear ideas and the excessive blackness in Thalheimer’s concept failed to convince, but Stoyanov and Joel’s presentation of Verdi’s score made up for those problems.
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A dud bullet: Thalheimer’s Freischütz fires blanks

Director Michael Thalheimer staging Weber’s Der Freischütz entirely in the Wolf’s Glen, albeit relocated from a “fearsome forest gorge” to what looks like a badger’s sett. 
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Soif de pouvoir et folie meurtrière : Macbeth à Anvers

Marina Prudenskaya (Lady Macbeth) et Craig Colclough (Macbeth) © Annemie Augustijns
La mise en scène de Michael Thalheimer va à l’essentiel dans Macbeth, dernière production du mandat d'Aviel Cahn à la tête de l’Opéra de Flandre.
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