Latest reviewsSee more...
Royal Academy tackles The Threepenny Opera
Brecht and Weill's tirade against Big Money is exceptionally well acted throughout; vocal and musical performances are more mixed.
Riotous journey to the Underworld
“Folies Bergère does Greek gods” is how director Martin Duncan describes Offenbach's Orphée aux enfers, and his production for Royal Academy Opera is enormous fun.
A rite of spring: Rimsky-Korsakov's May Night
A welcome revival of a Russian rarity from the student forces of the Royal Academy of Music.
A marriage of youth and experience
A polished production of The Marriage of Figaro from some of the potential opera stars of the future.
