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Performer: Olga Peretyatko

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MadridLa flauta mágica (Die Zauberflöte)

La flauta mágica (Die Zauberflöte)
Mozart: Die Zauberflöte (The Magic Flute)
Ivor Bolton; Suzanne Andrade; Teatro Real; Kornilios Michailidis; Esther Bialas; Stanislas de Barbeyrac

ViennaGuillaume Tell

Rossini: Guillaume Tell (William Tell)
Michele Mariotti; David Pountney; Vienna State Opera; Richard Hudson; Christopher Maltman; Maria Nazarova

LeipzigBeethoven 9

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Leipzig Gewandhaus Orchestra; Daniele Gatti; Olga Peretyatko; Natascha Petrinsky; Pavel Černoch; Matthias Goerne

LeipzigMit Mendelssohn ins Beethoven-Jahr

Mendelssohn, Beethoven
Leipzig Gewandhaus Orchestra; Daniele Gatti; Olga Peretyatko; Natascha Petrinsky; Pavel Černoch; Matthias Goerne

BerlinIdomeneoNew production

Mozart: Idomeneo, rè di Creta
Sir Simon Rattle; Sir David McVicar; Staatsoper Berlin; Vicki Mortimer; Andrew Staples; Magdalena Kožená
Latest reviewsSee more...

Don Pasquale falls flat in Michieletto’s cruel comedy

Bryn Terfel (Don Pasquale) © ROH | Clive Barda
Sir Bryn Terfel relishes every nuance of the text, but Damiano Michieletto's reading of Donizetti's comedy is no laughing matter. 
**111
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Wim Wenders successful dive into opera

Olga Peretyatko (Leïla) © Donata Wenders
Internationally acclaimed film director Wim Wenders and Daniel Barenboim give their debut with a rarely played opera by Georges Bizet.
****1
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Met hits the jackpot with revival of its Vegas Rigoletto

Stephen Costello (The Duke of Mantua) © Marty Sohl | Metropolitan Opera
The gambling tables and neon lights of Las Vegas might not be the images which immediately enter your head when you think of Verdi’s Rigoletto, but bold art is often created and progressed by the pushing of boundaries and by challenging audiences to reimagine the familiar.
****1
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A disconcerting Entführung in Zurich

Nahuel di Pierro (Osmin) © Tanja Dorendorf
In David Hermann's new production, confusion reigns, but the performance is saved by the singing. 
***11
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The Met overindulges in a decadent Rigoletto

Does it really matter where an opera is set? These days, this question seems to trail Rigoletto
***11
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