Latest reviewsSee more...
In Konwitschny's modern Medea, monsters are made by men

Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.
Rousseau and a boxing ring: Ariodante in Stuttgart

In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.
Sex and violence in the ghetto: Pique Dame

Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.
Devil in the detail: Gounod's Faust in Stuttgart
A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.
Modern terror: Salome in Stuttgart
Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome
Das Ich im Vakuum der Welt: Winterreise an der Oper Stuttgart

Diese Reise ist musikalisch und gestisch ein Muss für jeden, der eindringliche musikalische Gestaltung auf der Bühne liebt.