Performer: Orchestra dell'Accademia Nazionale di Santa Cecilia

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DüsseldorfOrchestra dell'Accademia Nazionale di Santa Cecilia

Beethoven, Strauss R.
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Anne-Sophie Mutter

HamburgOrchestra di Santa Cecilia, Anne-Sophie Mutter und Sir Antonio Pappano

Beethoven, Strauss R.
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Anne-Sophie Mutter

RomeBernstein

Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Marie-Nicole Lemieux; Beatrice Rana; Alessandro Carbonare

RomeBrahms, Bernstein

Brahms, Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Voci Bianche dell’Accademia Nazionale di Santa Cecilia; Kyung Wha Chung; Nadine Sierra

BostonCelebrity Series: Orchestra dell'Accademia Nazionale di Santa Cecilia with Sir Antonio Pappano Music Director & Conductor Martha Argerich piano soloist

Verdi, Prokofiev, Respighi
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Martha Argerich
Latest reviewsSee more...

There’s no place like Rome: dazzling Respighi

All roads lead to Rome. Last night however, the Orchestra dell'Accademia Nazionale di Santa Cecilia brought the Eternal City vividly to London.
****1
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Pappano releases the shackles

Released from the incarceration of directorial prison walls, Fidelio can still make a most powerful impact on the concert platform.
****1
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Classical creativity: Beethoven and Spontini in Milan

On a rare visit to Milan, a programme of Gaspare Spontini and Beethoven exhibited a sound that was sometimes rough around the edges but brimming with creative energy. 
****1
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Italian blood and thunder in the most operatic of Requiems

Hans von Bülow taunted that Verdi’s Requiem was just another of his operas “in ecclesiastical garb’”. It’s difficult to disagree when dispatched with as much operatic fervour as Antonio Pappano mustered here. 
****1
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Hope, tragedy and redemption: the Accademia Nazionale di Santa Cecilia at Royal Festival Hall

Tony Pappano’s recipe for a concert programme: take a 20th century Italian one act opera, follow it with a romantic symphony chopped in half, then throw in a related German aria; play without a break. It may sound like a train wreck in the making, but the result was a triumph.
*****
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