Paavo Järvi , Conductor

June 2017
Evening performance
Matinee performance
© Julia Bayer
© Julia Bayer
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Paavo Järvi: Musical ambassador

Where is home for Paavi Järvi? The life of an international conductor consists of airports and hotel-hopping and Järvi’s passport is more well-travelled than most. 
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TokyoNHK Symphony Orchestra Tokyo

Schumann, Schubert
NHK Symphony Orchestra Tokyo; Paavo Järvi; Tanja Tetzlaff

AmsterdamJanine Jansen plays Mozart's Violin Concerto No. 3

Mozart, Beethoven
Deutsche Kammerphilharmonie Bremen; Paavo Järvi; Janine Jansen

LondonProm 26

Tüür, Mozart, Brahms
Deutsche Kammerphilharmonie Bremen; Paavo Järvi; Vilde Frang; Lawrence Power

StockholmEstonian Festival Orchestra

Shostakovich, Tüür, Sibelius
Estonian Festival Orchestra; Paavo Järvi; Ksenija Sidorova

TokyoShostakovich "Leningrad" Symphony

Shostakovich: Symphony no. 7 in C major, "Leningrad" Op.60
NHK Symphony Orchestra Tokyo; Paavo Järvi

TokyoGlinka, Rachmaninov, Scriabin

Glinka, Rachmaninov, Scriabin
NHK Symphony Orchestra Tokyo; Paavo Järvi; Denis Kozhukhin
Latest reviewsSee more...

Don Giovanni as “unlimited myth” at La Scala

Robert Carsen's Don Giovanni cannot burn in a hell in which he does not believe. 
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La Valse / Symphony in C / Sheherazade

The Scala Ballet performs a daring triple bill this Spring, showcasing young Italian choreographers alongside one of Balanchine's masterpieces, Symphony in C.
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NHK Symphony Orchestra's magnificent Mahler Six

Is the very, very good the enemy of the great? It is hard to fault a performance as fine as this – except perhaps against a benchmark no longer recognised.
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Pristine chaos becomes harmony

The ever consummate conductor delivers a trio of stylistically contrasting works by Haydn, Beethoven and Nielsen with a single trait in common: obdurate perfectionism.
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Technically faultless: terrific Brahms from Kavakos

Paavo Järvi continues his Nielsen exploration with performances that demonstrate his attraction to Haydn and love of Brahms. 
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Paavo Järvi conquers Shostakovich's Leningrad

It's not plain-sailing in Lupu's Beethoven, but Järvi's clear-sighted and controlled approach and the Staatskapelle's high-quality playing make for especially musical Shostakovich after the interval. 
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