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Performer: Peter Mattei

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StockholmDi Castri, Mahler, Brahms

Stockholms Konserthusstiftelse
Di Castri, Mahler, Brahms
Royal Stockholm Philharmonic Orchestra; Karina Canellakis; Peter Mattei

AmsterdamFabio Luisi conducts Mahler

Fabio Luisi conducts Mahler
Mahler
Royal Concertgebouw Orchestra; Fabio Luisi; Peter Mattei

LeipzigFabio Luisi conducts Mahler

Mahler
Royal Concertgebouw Orchestra; Fabio Luisi; Peter Mattei
Latest reviewsSee more...

Peter Mattei's moving Mahler in Gothenburg season opener

Manfred Honeck, Peter Mattei and the Gothenburg SO © Måns Pär Fogelberg | Gothenburg Symphony Orchestra
Baritone Peter Mattei brought both musical sensitivity as well as almost Berg-ian drama to Mahler’s Lieder eines fahrenden Gesellen, ably supported by Manfred Honeck and the Gothenburg Symphony Orchestra, in a successful livestream concert. 
***11
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A persuasively dark Don Giovanni from Swedish Radio

Peter Mattei (Don Giovanni), Mari Eriksmoen (Donna Anna) © Mikael Grönberg | Sveriges Radio
Andrew Staples creates an austere, monochrome semi-staging that's strangely appropriate to the times; Peter Mattei and John Lundgren lead an excellent cast.
****1
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Bleak and hopeless: William Kentridge's Wozzeck at the Met

Peter Mattei (Wozzeck) © Ken Howard | Met Opera
Despite theatrical drawbacks, this Wozzeck is heartily recommend due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.
****1
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A colorless Don Giovanni at the Metropolitan Opera

Peter Mattei (Don Giovanni) © Marty Sohl | Met Opera
The Met's spectators love Mozart’s opera, but they deserve an updated staging.
***11
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Suffering, transcendence, redemption: Parsifal at The Met

Evelyn Herlitzius (Kundry) and Klaus Florian Vogt (Parsifal) © Ken Howard | Metropolitan Opera
The Met’s production of Wagner’s Parsifal is a harrowing affair, entrancing in its refusal to charm. 
*****
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Wretched fates and quirky staging: Eugene Onegin in Zurich

Olga Bezsmertna (Tatyana) and Peter Mattei (Onegin) © Monika Rittershaus
Barrie Kosky’s atypically conservative production of the Russian classic was marked by musical direction and vocal performances of the highest order.
****1
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