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Performer: Renaud Capuçon

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LuganoRenaud and Gautier Capuçon with Frank Braley

Renaud and Gautier Capuçon with Frank Braley
Beethoven
Frank Braley; Gautier Capuçon; Renaud Capuçon

ParisBeethoven: Violin Sonatas 1, 2, 3 and 4

© Darmigny
Beethoven
Renaud Capuçon; Kit Armstrong

ParisBeethoven: Violin Sonatas 8, 9 and 10

© Darmigny
Beethoven
Renaud Capuçon; Kit Armstrong

ParisBeethoven: Violin Sonatas 5,6 and 7

© Darmigny
Beethoven
Renaud Capuçon; Kit Armstrong

AmsterdamRenaud Capuçon plays Ravel with the European Union Youth Orchestra

Renaud Capuçon plays Ravel with the European Union Youth Orchestra
Beethoven, Chausson, Ravel
European Union Youth Orchestra; Gianandrea Noseda; Renaud Capuçon
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Knockout Pathétique from Bychkov and the Czech Phi in Vienna

Semyon Bychkov conducts the Czech Philharmonic at the Musikverein © Dieter Nagl
Bychkov and his sterling Czech forces are joined by Renaud Capuçon for a contrasting all-Tchaikovsky programme on their second day at the Vienna Musikverein.
****1
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Beautiful poise: Capuçon, Moreau and Angelich alight in Tsinandali

Renaud Capuçon, Nicholas Angelich and Edgar Moreau © Tsinandali Festival
Festivals and academies breed familiarity and mutual compassion between audiences and returning artists. Yet the warmly informal feel of this concert owed mostly to the close relationships between the musicians themselves.
****1
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A flat finish for Prague Spring

The Orchestre National du Capitole de Toulouse, Tugan Sokhiev and Renaud Capuçon © Prague Spring | Ivan Malý
Orchestre National du Capitole de Toulouse lets the air out of a promising program and a Czech classic.
**111
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Capuçon, Shani and the Wiener Symphoniker play French music in Aix

Renaud Capuçon and the Wiener Symphoniker © Caroline Doutre
What a day to hear an all-French programme, and with this fragile moment at its heart criticism feels futile, disrespectful even.
*****
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Renaud Capuçon opens the Aix Easter Festival with Cinéma

Renaud Capuçon and Geoffrey Styles © Caroline Doutre
A dashing, captivating concert, lacking only a few mood-changers to stimulate the audience’s eager receptors.
***11
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