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Performer: Roberta Mameli

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Bononcini: Polifemo
Dorothee Oberlinger; Margit Legler; Johannes Ritter; Roberta Invernizzi; Roberta Mameli

LondonAci, Galatea e Polifemo

Handel: Aci, Galatea e Polifemo, HWV 72
Ensemble laBarocca; Ruben Jais; Roberta Mameli; Sonia Prina; Luigi De Donato
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A second chance for a teenager Mozart in Venice

Il re pastore at the Teatro La Fenice in Venice © Michele Crosera
Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.
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A heavy crown: austere Monteverdi at the Staatsoper

Max Emanuel Cenčić (Nerone) and Anna Prohaska (Poppea) © Bernd Uhlig
The Staatsoper's new L'incoronazione di Poppea is serious, intelligent but short on fire.
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Rare and witty: Vivaldi's Dario in Turin

L'incoronazione di Dario © Teatro Regio Torino | Ramella&Giannese
As always in the librettos of the time, the historical events are just a weak excuse to stage timeless stories of jealousy, struggle for power, sexual desire – the ingredients in today's television series.
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Dido left stranded by the director in Florence

Roberta Mameli (Didone) © Simone Donati | TerraProject
Metastasio's Didone abbandonata has been set to music at least sixty times. Florence revives a version by Leonardo Vinci composed in 1726.
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Baroque astonishment and wonder in Turin

Kate Fruchterman (Second Woman), Roberta Invernizzi (Dido) and Roberta Mameli (Belinda) © Ramella & Giannese | Teatro Regio di Torino
Though musically played with participation and sensitivitythe, this production was full of jugglers, acrobats, dancers, circus performers and mimes. 
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