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Guide to the Royal Philharmonic Orchestra

October 2018
Evening performance
Matinee performance
« The opening brass playing was round and full-toned, a sense of stately gleam flashing across serene violins and sedate woodwind. Hustle and bustle preceded and contrasted with moments of rich lyricism and grandeur; Shelley drew bold, glossy playing from the orchestra, placing a clear emphasis on colour. »
Dominic Lowe, Bachtrack

« In the latest instalment of Alexander Shelley’s evocative Myths and Fairytales series with the Royal Philharmonic Orchestra, the imagination was given a thorough workout with magical imagery of a mountainside witches’ sabbath, a nocturnal journey of wonderment through nature, and an epic tale of emancipation and heroism against the might of the Roman army. Hot-blooded stuff indeed for a chilly night in London. »
Mark Thomas, Bachtrack

Upcoming eventsSee more...

LondonCarmina Burana

Carmina Burana
Wagner, Saint-Saëns, Orff
Royal Philharmonic Orchestra; Andrew Greenwood; Mary Bevan; Oliver Johnston; James Cleverton; English Concert Chorus

LondonValeriy Sokolov performs Shostakovich

Valeriy Sokolov performs Shostakovich
Shostakovich, Rachmaninov
Royal Philharmonic Orchestra; Lionel Bringuier; Valeriy Sokolov

NorthamptonSymphonic Rock

Symphonic Rock
Royal Philharmonic Orchestra; David Firman; Capital Voices

LondonMusical Landscapes

Musical Landscapes
Elgar, Vaughan Williams, Sibelius
Royal Philharmonic Orchestra; Jac van Steen; Johnny Roberts

GuildfordCharlie Siem performs Tchaikovsky

Charlie Siem performs Tchaikovsky
Mendelssohn, Tchaikovsky, Sibelius
Royal Philharmonic Orchestra; Jac van Steen; Charlie Siem
Latest reviewsSee more...

Beguiling Strauss and surging Shostakovich in Birmingham

Fatma Said © Felix Broede
Xian Zhang brought out the beauty of the Royal Philharmonic Orchestra’s engaging sound and soprano Fatma Said gracefully beguiled us with Strauss.
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Prom 2: Poise and restraint from Alain Altinoglu and the RPO

Alain Altinoglu © Marco Borggreve
Polished but ultimately tepid performances that kept the emotional temperature under wraps despite some fine individual playing and singing.
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RPO and Pinchas Zukerman deliver safe as houses repertoire

Pinchas Zukerman © Cheryl Mazak
Assured and mostly rewarding performances from the RPO in standard fare that underlined Bruch’s nobility, Elgar’s masterly orchestration and the originality of Sibelius. 
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Intense Elgar from Isserlis and RPO

Steven Isserlis © Satoshi Aoyagi
Uncertain Britten from Dausgaard and the RPO, but intense and passionate Elgar from Isserlis, and powerfully engaging Rachmaninov featuring exceptional woodwind playing from the RPO.
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Two Dons and a señor: Payare’s debut with the RPO

Rafael Payare © Askonas Holt
Rafael Payare, in his first appearance with the RPO, has musical encounters with Don Juan and Don Quixote, and a Mozart symphony provides a suitable contrast.
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For more than seven decades the Royal Philharmonic Orchestra (RPO) has been at the forefront of music-making in the UK. Its home base since 2004 at London’s Cadogan Hall serves as a springboard for seven principal residencies as well as more than forty-five concerts per year in long-term partnership venues across the country, often in areas where access to live orchestral music is very limited. In London, the Orchestra’s regular performances at Cadogan Hall are complemented by a distinguished series at Southbank Centre’s Royal Festival Hall and a hugely popular series at the Royal Albert Hall. With a wider reach than any other UK large ensemble, the RPO has truly become Britain’s national orchestra.

Alongside its concert series, the RPO embraces twenty-first-century opportunities, including appearances with pop stars and on video game, film and television soundtracks, whilst its artistic priority remains paramount: the making of great music at the highest level for the widest possible audience. This would have been lauded by its Founder and first conductor, Sir Thomas Beecham, who set up the RPO in 1946, leading a vital revival in the UK’s orchestral life after World War II.

Since then, the Orchestra’s principal conductors have included Rudolf Kempe, Antal Doráti, Walter Weller, André Previn, Vladimir Ashkenazy, Yuri Temirkanov, Daniele Gatti and Charles Dutoit; and its repertoire has encompassed every strand of music from the core classical repertoire to music of the twentieth and twenty-first centuries, and works by leading composers of recent years, such as Sir Peter Maxwell Davies and Sir John Tavener. Today, the RPO continues to work with artists of the highest calibre, including Pinchas Zukerman, its inspirational Principal Guest Conductor; Alexander Shelley, its dynamic young Principal Associate Conductor since January 2015, and its esteemed Permanent Associate Conductor, Grzegorz Nowak. The Orchestra is looking forward to appointing its next Artistic Director and Principal Conductor shortly.

International touring is vital to the Orchestra’s work, taking it to many prestigious destinations worldwide. Recent engagements include concerts at the festivals of Montreux, Lucerne and Granada, an extensive tour of the USA, and visits to central Europe and the Far East, including South Korea and China.

In 2018, RPO Resound, the Orchestra’s community and education programme, marks its twenty-fifth anniversary. Throughout its history it has thrived on taking music into the heart of the regions that the Orchestra serves. From Azerbaijan to Jamaica and from Shanghai to Scunthorpe, the team – comprising the majority of the Orchestra – has worked with young people, the homeless, recovering stroke patients (in the award-winning STROKESTRA project in Hull) and in settings ranging from the Sea Life London Aquarium to hospitals, orphanages and children’s hospices.

In 1986, the RPO became the first UK orchestra to launch its own record label. The Orchestra has embraced digital advances and continuing its tradition of entrepreneurial innovation, in 2017 the RPO teamed up with the concert-enhancing app, EnCue by Octava, becoming the first orchestra in Europe to offer its audiences real-time programme notes for selected performances delivered to their mobile or tablet devices. The Orchestra has become increasingly active on social media platforms, inviting audiences to engage informally on Facebook and Twitter (@rpoonline) and to enjoy behind-the-scenes insights on the RPO website (www.rpo.co.uk), YouTube (RPOOnline) and Instagram (@RPOOnline).

As the RPO proudly looks to its future, its versatility and high standards mark it out as one of today’s most open-minded, forward-thinking symphony orchestras.