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Sir Antonio Pappano, Conductor

Sir Antonio Pappano © Musacchio & Ianniello | EMI Classics
Sir Antonio Pappano
© Musacchio & Ianniello | EMI Classics
January 2017
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02030405060708
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Evening performance
Matinee performance
our interview with the maestro

A sense of theatre: Sir Antonio Pappano

Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.
Upcoming eventsSee more...

LondonSibelius, Bernstein, Nielsen

Sibelius, Bernstein, Nielsen
London Symphony Orchestra; Sir Antonio Pappano; Janine Jansen

LondonWagner

Wagner
London Symphony Orchestra; Sir Antonio Pappano; Jonas Kaufmann; Karita Mattila; Eric Halfvarson

ZürichMigros-Kulturprozent-Classics

Rossini, Tchaikovsky, Respighi
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Yuja Wang

BernMigros-Kulturprozent-Classics

Dubugnon, Tchaikovsky, Respighi
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Yuja Wang

GenevaMigros-Kulturprozent-Classics

Dubugnon, Tchaikovsky, Respighi
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Yuja Wang
Latest reviewsSee more...

Sensitive artistry from Gerald Finley

Gerald Finley displayed a voice still in its prime in a rich and diverse recital at the Barbican, elegantly supported by Antonio Pappano on the piano.
****1
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Pappano and the LSO scale Strauss' Alpine odyssey

A lively William Tell Overture from Pappano and lyrical Bruch from LSO leader, Roman Simović, preceded a majestic performance of Strauss' Alpine Symphony
****1
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Kent's Manon Lescaut at Covent Garden

Kent's staging brings out the sleaze in Puccini's first big hit; Sondra Radvanovsky thrills in the title role; the musical performance improves through the evening.
***11
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Bostridge's Shakespeare Songs at Wigmore Hall

Shakespeare songs turned out to be more of a Shakespeare feast starring Antonio Pappano, Ian Bostridge and the exceptional Eve Best.
***11
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Pappano releases the shackles

Released from the incarceration of directorial prison walls, Fidelio can still make a most powerful impact on the concert platform.
****1
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