Sir Antonio Pappano, Conductor

Sir Antonio Pappano © Musacchio & Ianniello | EMI Classics
Sir Antonio Pappano
© Musacchio & Ianniello | EMI Classics
November 2017
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Evening performance
Matinee performance
our interview with the maestro

A sense of theatre: Sir Antonio Pappano

Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.
Upcoming eventsSee more...

LondonTotal Liszt

Liszt
London Symphony Orchestra; Sir Antonio Pappano; Alice Sara Ott; Brenden Gunnell; Ladies of the London Symphony Chorus; Simon Halsey

DüsseldorfOrchestra dell'Accademia Nazionale di Santa Cecilia

Beethoven, Strauss R.
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Anne-Sophie Mutter

HamburgOrchestra di Santa Cecilia, Anne-Sophie Mutter und Sir Antonio Pappano

Beethoven, Strauss R.
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Anne-Sophie Mutter

RomeBernstein

Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Marie-Nicole Lemieux; Beatrice Rana; Alessandro Carbonare

RomeBrahms, Bernstein

Brahms, Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Voci Bianche dell’Accademia Nazionale di Santa Cecilia; Kyung Wha Chung; Nadine Sierra
Latest reviewsSee more...

A dazzling Semiramide at the Royal Opera

Lengthy but full of melodic invention, Semiramide finally made her triumphant return to the Royal Opera in David Alden's fine new production.
****1
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Sturdy Mahler 6 from Pappano at Carnegie Hall

The Orchestra dell'Accademia Nazionale di Santa Cecilia's second performance of the weekend at Carnegie Hall featured compelling Salvatore Sciarrino and a heavy-footed Mahler 6.
***11
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A glorious return to Carnegie for Martha Argerich

After a nine-year absence, Martha Argerich returned to Carnegie Hall with stunning Prokofiev with the Orchestra dell'Accademia Nazionale di Santa Cecilia.
****1
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No moonlight, no magic: a vanilla Bohème

After his affectionate treatment of La fanciulla del West for ENO and his devastating Suor Angelica for the Royal Opera, Richard Jones’ new La bohème is disappointingly bland.
***11
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A bronze-toned lion: Kaufmann debuts as Otello

After all the speculation, Jonas Kaufmann made his role debut as Otello at The Royal Opera – an impressive, if not unqualified, success. 
****1
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