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Performer: Stéphane Degout

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BarcelonaEnsemble Pygmailion and Pichon: Bach St Matthew Passion

© Manuel Braun
Bach: St Matthew Passion, BWV244
Raphaël Pichon; Julian Prégardien; Stéphane Degout; Ensemble Pygmalion

MadridLessons in Love and Violence

Lessons in Love and Violence
Benjamin: Lessons in Love and Violence
Josep Pons; Katie Mitchell; Teatro Real; Vicki Mortimer; Stéphane Degout; Georgia Jarman

ParisHippolyte et AricieNew production

Rameau: Hippolyte et Aricie
Raphaël Pichon; Jeanne Candel; Opéra Comique; Lisa Navarro; Pauline Kieffer; Reinoud Van Mechelen; Elsa Benoit

ParisLa voix intérieure

Schubert, Schumann, Weber
Raphaël Pichon; Ensemble Pygmalion; Stéphane Degout

ParisRaphaël Pichon & St Matthew Passion

Bach: St Matthew Passion, BWV244
Raphaël Pichon; Ensemble Pygmalion; Maîtrise de Radio France; Julian Prégardien; Stéphane Degout
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Iphigénie en Tauride in Zurich: a bright success in a black grave

Cecilia Bartoli (Iphigénie) © Monika Rittershaus
Cecilia Bartoli leads a great cast in Gluck’s masterpiece, presented in Zurich in a new insightful production by Andreas Homoki.
*****
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A French Connection: Poulenc and Fauré from the LPO

Bertrand de Billy © Marco Borggreve
Bertrand de Billy made his debut with the LPO in an all-French programme headlined by Fauré's Requiem and preceded by a rewarding pairing of Poulenc's Organ Concerto and Sept Repons des Tenebres
****1
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The Carsen effect: brilliant Iphigénie in Paris

Iphigénie en Tauride at the Théâtre des Champs-Élysées © Vincent Pontet
The Canadian director's aesthetic is a perfect fit for Gluck's work. Dazzling performances by Gaëlle Arquez and Stéphane Degout. Great musical direction by Thomas Hengelbrock.
*****
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Faust finds salvation thanks to jump-in soprano

Mandy Fredrich © Eellen Schmaus
A devilishly fun performance of Gounod's take on Goethe, saved when Mandy Fredrich flew in at short notice to take over the role of Marguerite. 
****1
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Carthage carnage: Tcherniakov's Trojans flops at the Bastille

Stéphanie d'Oustrac (Cassandre) © Vincent Pontet | Opéra national de Paris
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.
**111
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