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Stuart Skelton, tenor

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LondonLSO/Rattle: Tristan and Isolde

LSO/Rattle: Tristan and Isolde
Wagner: Tristan und Isolde
Sir Simon Rattle; Nina Stemme; Stuart Skelton; Stephen Milling; Graham Clark

LondonLSO/Rattle: The Dream of Gerontius

© London Symphony Orchestra
Elgar: The Dream of Gerontius, Oratorio for soloists chorus and orchestra, Op.38
London Symphony Orchestra; Simon Halsey; Stuart Skelton; Alice Coote; John Relyea; London Symphony Chorus

MelbourneMahler's Song of the Earth

Wagner, Mahler
Australian Chamber Orchestra; Richard Tognetti; Christianne Stotijn; Stuart Skelton

Saint-DenisBeethoven III

Britten, Beethoven
Orchestre Philharmonique de Radio France; Karina Canellakis; Rachel Willis-Sørensen; Virginie Verrez; Stuart Skelton; Andrew Foster-Williams

New York CityTristan und Isolde

Wagner: Tristan und Isolde
Hartmut Haenchen; Mariusz Treliński; Metropolitan Opera; Boris Kudlička; Marek Adamski; Stuart Skelton; Christine Goerke
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True Grimes: a gripping semi-staging of Britten’s opera

Erin Wall (Ellen), Stuart Skelton (Peter Grimes) and Samuel Winter (John) © Mark Allan | Southbank Centre

A psychologically penetrating semi-staging of Britten’s Peter Grimes from leading soloists, the Bergen Philharmonic and its chief conductor Ed Gardner laid bare the opera’s music and drama.

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Prom 18: Time stands still in Das Lied von der Erde

Edward Gardner © BBC | Chris Christodoulou
The final song seemed to last both an eternity and no time at all.
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Reuter and Schöck turn up the heat in Die Walküre in Budapest

Johan Reuter (Wotan), Catherine Foster (Brünnhilde) © Szilvia Csibi, Müpa Budapest
Six excellent singers bring out the best in Wagner's dramatic narrative, marred only by a Ride of the Valkyries that fails to convince.
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Quiet tragedy: Robert Wilson's Otello in Baden-Baden

Sonya Yoncheva (Desdemona) and Stuart Skelton (Otello) © Lucie Jansch
Zubin Mehta conducts Verdi's Otello in an iconic Robert Wilson production of stylized theater where less is more. The effect was mesmerizing.  
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Three Austrians from three centuries

Sakari Oramo © Benjamin Ealovega
Even in a flawed performance, The Song of the Earth fills the hearer with its life-affirming carpe diem message.
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