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Classic Robert Wilson: Turandot opens Canadian Opera Company season
Director Robert Wilson and conductor Carlo Rizzi combine effectively to create a visually striking and musically memorable Turandot that emphasizes the hieratic and the mythical with a notable absence of unnecessary histrionics.
Kitschy, bombastic, virtuosic: the LA Phil and Dudamel’s Mahler 8
Mahler's Eighth was the composer’s “gift to the nation”; Dudamel’s performance was a gift to Los Angeles.
Welser-Möst unveils a musically superb Ariadne auf Naxos
Tamara Wilson was a top-notch Ariadne, supported by a strong cast, including Kate Lindsey as a passionate Composer, a thrilling Zerbinetta by Daniela Fally, and an unbeatable Bacchus in Andreas Schager.
Wonderful choral singing in Edinburgh's Mahler 8
A superb choral performance and some memorable solo moments bring Mahler's "Symphony of a Thousand" to life, even if the sheer energy of the Swedish Radio Symphony Orchestra turns frantic at times.
Prom 11: A Mahlerian leaving party
Thomas Søndergård’s final performance as chief of the BBC National Orchestra of Wales sees them pull off Mahler 8 in style.
Graffiti meets Nefertiti: Aida in Washington DC
Francesca Zambello’s engaging Aida opened the season at Washington National Opera, eventually getting into its stride.
