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AmsterdamCurrentzis conducts Mahler 4
Shostakovich, Mahler
Royal Concertgebouw Orchestra; Teodor Currentzis; Alexander Melnikov; Christiane Karg
AmsterdamEssentials: Mahler’s Fourth
Mahler: Symphony no. 4 in G major
Royal Concertgebouw Orchestra; Teodor Currentzis; Christiane Karg
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StuttgartCurrentzis conducts Mahler and Strauss
Strauss R., Mahler, Scelsi
SWR Symphony Orchestra; Teodor Currentzis
StuttgartCurrentzis conducts Mahler's Ninth Symphony
Mahler: Symphony no. 9 in D major
SWR Symphony Orchestra; Teodor Currentzis
StuttgartTeodor Currentzis conducts Tchaikovsky
Schnittke, Tchaikovsky
SWR Symphony Orchestra; Teodor Currentzis; Antoine Tamestit
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Bluebeard as psychothriller in Castellucci's mismatched double bill
Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
A kaleidoscope of kinetic colour from Currentzis, Avdeeva and the SWR
Teodor Currentzis, conducting the SWR Symphony Orchestra, and Yulianna Avdeeva do Prokofiev proud in his Third Piano Concerto and Fifth Symphony: all the colours of the rainbow delivered with sophistication, élan and boundless effervescence.
A hole in the heart: Salzburg Festival’s new Don Giovanni
The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving.
An online Beethovenathon: all nine symphonies across Europe in one day
An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.
Teodor Currentzis and the SWR Symphony triumph in Mahler 9
Say what you like, Teodor Currentzis understands the music of Mahler, especially in that composer's final symphonic statement, to the manner born.
An outstanding New York debut for Teodor Currentzis and musicAeterna
In Currentzis' vision, Verdi's Requiem was both a spectacle and a soul-searching exercise for the musicians, as well as for the listeners.