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Performer: Thomas Dausgaard

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LondonProm 29: Brandenburg Concertos Project – 1

Bach, Turnage, Hillborg, Caine
Swedish Chamber Orchestra; Thomas Dausgaard; Pekka Kuusisto; Antje Weithaas; Maya Beiser; Fiona Kelly

LondonProm 30: Brandenburg Concertos Project – 2

Bach, Neuwirth, Dean, Mackey
Swedish Chamber Orchestra; Thomas Dausgaard; Antje Weithaas; Brett Dean; Tabea Zimmermann; Claire Chase

LondonProm 50: Mozart Clarinet Concerto & Mahler Fifth Symphony

Mozart, Mahler
BBC Scottish Symphony Orchestra; Thomas Dausgaard; Annelien Van Wauwe

LondonProm 51: Strauss, Wagner & Per Nørgard

Wagner, Strauss R., Nørgard
BBC Scottish Symphony Orchestra; Thomas Dausgaard; Malin Byström; London Voices; National Youth Chamber Choir

BergenLunch Concert

Bruckner: Symphony no. 3 in D minor "Wagner Symphony", WAB 103
Bergen Philharmonic Orchestra; Thomas Dausgaard
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BBC Scottish looks to the north for a gripping end to the season

Thomas Dausgaard © Thomas Grondahl
BBCSSO with Thomas Dausgaard, the Lund Male Choir and soloists gave a thrilling performance of Sibelius’ Kullervo with Finnish folk musicians joining the forces.
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Intense Elgar from Isserlis and RPO

Steven Isserlis © Satoshi Aoyagi
Uncertain Britten from Dausgaard and the RPO, but intense and passionate Elgar from Isserlis, and powerfully engaging Rachmaninov featuring exceptional woodwind playing from the RPO.
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Dausgaard shows the wisdom of Seattle Symphony's choice

Thomas Dausgaard © Thomas Grondahl
If Principal Guest Conductor and Music Director Designate Thomas Dausgaard wore his array of conducting posts as a series of medals on the lapel of his tux, it would weigh him down considerably. 
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A whiff of incense as the Proms explore Rachmaninov and religion

Thomas Dausgaard and the BBC Scottish SO © BBC | Chris Christodoulou
Rachmaninov was not an especially religious man, yet he composed religious music, most famously the haunting All-Night Vigil (or Vespers) which was the climax to this evening's two Proms. 
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Prom 36: A double dose of darkness

Thomas Dausgaard © Per Morten Abrahamsen
It is dramaturgically risky pitting one musically dark and unfinished work against another. Thomas Dausgaard and the BBC Scottish Symphony Orchestra rose to the challenge in Schubert and Mahler.
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