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Performer: Tim Albery

Upcoming eventsSee more...

LeedsAlcinaNew production

Alcina
Handel: Alcina
Laurence Cummings; Tim Albery; Opera North; Hannah Clark; Máire Flavin; Patrick Terry

NottinghamAlcinaNew production

Alcina
Handel: Alcina
Laurence Cummings; Tim Albery; Opera North; Hannah Clark; Máire Flavin; Patrick Terry

SalfordAlcinaNew production

Alcina
Handel: Alcina
Laurence Cummings; Tim Albery; Opera North; Hannah Clark; Máire Flavin; Patrick Terry

Newcastle upon TyneAlcinaNew production

Alcina
Handel: Alcina
Laurence Cummings; Tim Albery; Opera North; Hannah Clark; Máire Flavin; Patrick Terry
Latest reviewsSee more...

Opera North's inventive Giulio Cesare a stirring tribute to Handel

Lucie Chartin (Cleopatra) and Maria Sanner (Giulio Cesare) © Alastair Muir
In 1724, Handel's Giulio Cesare was a vehicle for star singers Senesino and Francesca Cuzzoni. Maria Sanner and Lucie Chartin step into their shoes with great success for this Opera North revival. 
****1
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It's grim up North: a heartbreaking Katya Kabanova in Leeds

Katie Bray (Varvara), Stephanie Corley (Katya) © Jane Hobson
Tim Albery's production for Opera North is well sung and superbly acted, involving us deeply in Janáček's tragic family drama.
****1
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Kevin Puts’ Silent Night given its UK première

Quirijn de Lang (Lt Audebert), Richard Burkhard (Lt Horstmayer) and Timothy Nelson (Lt Gordon) © Tristram Kenton
Opera North's triumphant UK première production of Silent Night by Kevin Puts is directed at Leeds Town Hall by Tim Albery and conducted by Nicholas Kok.
*****
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A gentle, sympathetic Capriccio at Garsington

Miah Persson (Countess), Sam Furness (Flamand) in background © Johan Persson
An affirmation of the importance of cultural values in the face of the abyss, or Richard Strauss fiddling while Europe burnt? Tim Albery's production leaves it to us to decide.
***11
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Musically resplendent Don Carlo in Washington

Leah Crocetto (Elisabetta) and Russell Thomas (Don Carlo) © Scott Suchman
The team of soloists, the chorus and the orchestra, under the baton of Philippe Auguin, powerfully conveyed the spectacular qualities of Verdi's Don Carlo.
****1
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