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Signed, sealed and delivered: Carlos Acosta debuts his new company.

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“only scratches the surface of what Acosta can achieve with this collective of exceptional performers”
Reviewed at Sadler's Wells Theatre, London on 28 September 2017
El cruce sobre el Niágara (Marianela Boán)
Belles-Lettres (Justin Peck)
Inponderable (Gyoto Montero)
Mermaid (Sidi Larbi Cherkaoui)
Twelve (Jorge Crecis)
Acosta Danza
Carlos Acosta, Dancer
NYCB: Ratmansky’s The Naked King is not satire, but good fun
****1
Irresistible: Justin Peck’s The Wind-Up premieres at NYCB
****1
The Royal Ballet in Perspectives: a diverse and challenging triple
****1
Few signs of heat in a mixed bill at New York City Ballet
***11
Atlanta Ballet showcases impressive range in Balanchine & Peck program
****1
NYCB: Justin Peck revisits the familiar in Mystic Familiar
****1
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