Casting a Napoleonic shadow in Beethoven and Tchaikovsky

By Dominic Lowe, 10 November 2017

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“a punchy, alert interpretation of the Eroica”

Reviewed at Royal Festival Hall, London on 8 November 2017

Tchaikovsky, 1812 Festival overture in E flat major, Op.49

Schumann, Violin Concerto in D minor

Sciarrino, Sei Capricci (Excerpt)

Beethoven, Symphony no. 3 in E flat major "Eroica", Op.55

Alain Altinoglu, Conductor

Patricia Kopatchinskaja, Violin

London Philharmonic Orchestra

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

Phoenix Lands: the London Philharmonic blazes with energy

Charlotte Gardner, 4th February

Edward Gardner’s Bacewicz, Martinů, Lutosławski and Janáček set the Royal Festival Hall ablaze.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Alain Altinoglu and the LPO cast a Napoleonic shadow in Beethoven and Tchaikovsky