Casting a Napoleonic shadow in Beethoven and Tchaikovsky

By Dominic Lowe, 10 November 2017

Loading, please wait...

See full listing

“a punchy, alert interpretation of the Eroica”

Reviewed at Royal Festival Hall, London on 8 November 2017

Tchaikovsky, 1812 Festival overture in E flat major, Op.49

Schumann, Violin Concerto in D minor

Sciarrino, Sei Capricci (Excerpt)

Beethoven, Symphony no. 3 in E flat major "Eroica", Op.55

Alain Altinoglu, Conductor

Patricia Kopatchinskaja, Violin

London Philharmonic Orchestra

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

Phoenix Lands: the London Philharmonic blazes with energy

Charlotte Gardner, 4th February

Edward Gardner’s Bacewicz, Martinů, Lutosławski and Janáček set the Royal Festival Hall ablaze.

****1

Jurowski and the LPO’s Mahler cycle reaches a momentous climax

Peter Quantrill, 24th January

Retrospection held at bay by the conductor’s unusual choice of Rudolf Barshai's completion to Mahler’s last symphony.

****1

Explosive performances from Vladimir Jurowski and the LPO

Chris Garlick, 21st January

Jurowski took a full-on approach in the first movement, grinding through the discords without shame and only pulling back in those rare moments in the score where everyone is catching their breath.

****1

Beth Taylor’s commanding Sea Pictures with the London Philharmonic

Nick Boston, 26th November

The dream team of Edward Gardner and the LPO are joined by Beth Taylor for a glorious evening of Elgar at the Royal Festival Hall.

*****

More reviews...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Alain Altinoglu and the LPO cast a Napoleonic shadow in Beethoven and Tchaikovsky