Amadè Players explore Bohemian composers in 18th century Vienna

By Nahoko Gotoh, 02 April 2015

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Reviewed at Smith Square Hall, London on 31 March 2015

Dittersdorf, Concerto for Two Violins in C

Anonymous, Other (Horn Concerto in D major)

Vanhal, Symphony in A minor

Vanhal, Requiem Mass in Eb (World Premiere)

Amadè Players

Cambridge Choir of Sidney Sussex College

Nick Newland, Conductor

Dominika Fehér, Baroque Violin

George Clifford, Violin

Ursula Paludan Monberg, French horn

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

Conviction, passion and clarity: Sir Stephen Hough at Wigmore Hall

Christopher Woodley, 19th May

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.

****1

Spellbinding Gewandhausorchester Leipzig in Vienna’s Musikverein

Chanda VanderHart, 18th May

In Rachmaninov's Second Piano Concerto, Yulianna Avdeeva commands attention through sheer innate charisma, anchored in intense engagement.

*****

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Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.