Andriessen's exhilarating music performed by the Clazz Ensemble

Louis Andriessen’s new opera is a masterly expedition into the grand and grotesque mind of Athanasius Kircher, polymath and fantastist, but it is hampered by a clumsy libretto.

The gentle sound of a kettle coming to the boil was the intriguing start to the UK premiere of Louis Andriessen’s work for singer, ensemble and film, Anaïs Nin. The peeling and eating of a banana gave rather more of a clue as to what was to come, in a concert that carried the warning “This concert contains explicit content and language and is recommended for ages 16 and over”.

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.  

In Rachmaninov's Second Piano Concerto, Yulianna Avdeeva commands attention through sheer innate charisma, anchored in intense engagement.

Nightfall in Sheffield General Cemetery provides the perfect atmospheric backdrop for Ensemble 360’s exploration of chamber music by Mozart, Weber and Korngold.

Joanna MacGregor and the BPO pull off an excellent performance of Shostakovich's Tenth, alongside William Kentridge's evocative film, Oh to Believe in Another World.